Telefon

In the uneasy aftermath of the Cuban Missile Crisis, a clandestine program spreads silent threads across the United States. Deep‑cover agents, born of Soviet strategy, have been folded into ordinary lives and rendered amnesic to their true purpose. The only key to awakening them is a whispered line from Robert Frost’s Stopping by Woods on a Snowy Evening followed by a name, a phrase that could turn everyday citizens into instruments of sabotage the moment tension erupts again.

Enter Nicolai Dalchimski, a fervent KGB operative whose reckless ambition drives him to steal a notebook that lists every dormant sleeper. With the dossier in hand, he crosses oceans, intent on testing the fragile balance of power by dialing the hidden network of agents. His actions hint at a larger, almost mythic game of chess where a single call could set off a cascade of events far beyond any one man’s control, casting a shadow of suspense over both East and West.

Back in Moscow, Major Grigori Borzov—a stoic officer prized for his photographic memory—receives a delicate assignment: to locate the rogue and secure the remaining copy of the list before the world learns of the program’s existence. Borzov’s quiet competence and disciplined demeanor contrast sharply with Dalchimski’s chaotic zeal, establishing a tense cat‑and‑mouse dynamic that fuels the film’s cold‑war intrigue.

Adding another layer of ambiguity is Barbara, a solitary agent who has spent years embedded in America. Her loyalty is a question whispered among operatives, and her presence creates a delicate emotional undercurrent that blurs the line between duty and desire. Together, these three figures navigate a world where ordinary streets conceal extraordinary dangers, and every phone call could be the quiet spark of a larger conflagration.

Last Updated: December 04, 2025 at 18:03