Taste of Cherry

In the bustling heart of Tehran, a city where the hiss of traffic and the rhythm of daily life blend into a continuous hum, a solitary figure begins an unexpected quest. Mr. Badii, a middle‑aged man carrying a quiet desperation, drives through the winding streets with a purpose that stands in stark contrast to the ordinary surroundings. His aim is simple yet profound: to find someone willing to lay him to rest after he has taken his own life, a request he offers with a modest payment.

As the car weaves past markets, apartment blocks, and weathered avenues, Mr. Badii encounters a cross‑section of the city’s inhabitants—students, laborers, vendors—each absorbed in their own routines. Their brief conversations become windows into lives shaped by faith, duty, and personal struggle, and they subtly reflect the broader tapestry of Iranian society. The interactions are measured, allowing the audience to sense the undercurrent of connection and the unspoken questions that linger between strangers.

The film’s visual language mirrors its contemplative narrative. Long, unhurried takes linger on the landscape, letting the light shift across brick facades and the sky’s expanse. The camera moves with a gentle patience, inviting viewers to breathe with the characters and to contemplate the ordinary moments that carry extraordinary weight. A muted colour palette and sparse soundtrack further accentuate the quiet atmosphere, while occasional sounds—a distant call to prayer, the rumble of a passing truck—ground the story firmly in its urban setting.

Through this restrained yet intimate portrait, the story explores the fragile boundary between existence and finality, inviting reflection on what it means to be seen, heard, and ultimately, to belong. The journey is less about the destination and more about the fleeting connections that surface when life’s most intimate decisions are laid bare, leaving a lingering sense of curiosity and empathy.

Last Updated: August 10, 2025 at 13:06