Stalker

In the wake of a disquieting awakening, Paula Martin, a celebrated novelist wrestling with a stubborn block, retreats to her family’s remote country estate, Crow’s Hall. The manor’s brooding Gothic architecture and the surrounding moorlands offer the seclusion she craves, promising a quiet space where imagination might finally flow. Yet the house itself seems to hold a memory of its own, its vaulted corridors and shadowed rooms echoing with the lingering weight of generations past.

Seeking both assistance and company, Paula invites her attractive assistant, Linda, to share the workload and the solitude. Their relationship quickly blurs the professional line, as Linda becomes both caretaker and confidante, slipping into Paula’s daily rhythm and even her private spaces. The pair settle into a fragile routine, with Linda’s presence offering comfort while simultaneously stirring unease in the already tense atmosphere of the manor.

As days stretch into nights, the isolation of Crow’s Hall begins to press on the edges of reality. The house’s endless rooms and dimly lit hallways amplify every whispered doubt, and Paula’s lingering nightmares seem to seep into the waking world. The once‑peaceful estate slowly transforms into a labyrinth of suppressed memories and growing psychological pressure, feeding the writer’s internal turmoil.

The film unfolds as a slow‑burning descent into atmospheric horror, where the line between creative inspiration and madness grows ever thinner. With every creak of the old timber and every flicker of candlelight, the audience is invited to feel the claustrophobic tension that grips Paula and Linda, hinting at secrets buried within both the house and the mind of the writer herself.

Last Updated: November 25, 2025 at 14:56