Year: 2009
Runtime: 104 mins
Language: English
Director: M.J. Bassett
A wandering 16th‑century warrior condemned to hell for his brutal deeds seeks redemption by renouncing violence, yet discovers that some causes demand fire. He battles dark forces to rescue a young Puritan woman from an evil grip, confronting his own darkness.
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In the year 1600, in North Africa, Solomon Kane [James Purefoy] leads his ship’s crew into a brutal siege against the Ottoman defenders of a fortress town. After defeating the defenders, Kane and his men raid the fortress, but demons overwhelm the survivors and kill most of the crew. Kane fights his way to the throne room, where a demon known as the Devil’s Reaper confronts him and declares that his soul is forfeit to Satan for a life of sin. Kane refuses this fate and leaps from a window to escape.
One year later, Kane returns to England and seeks sanctuary in a monastery, renouncing violence and donating wealth to the Church in hopes of redemption. After a prophetic dream, the abbot expels him. On the road, he is ambushed by robbers who mock his vow of pacifism and leave him for dead. He is found and cared for by the Crowthorns, a Puritan family traveling west to the New World. They encounter a Witch [Isabel Bassett] who marks Meredith Crowthorn [Rachel Hurd-Wood]. Later, they are ambushed by followers of sorcerer Malachi who kidnap Meredith and kill her father and brothers. Kane renounces his vows again and swears to rescue Meredith.
Kane battles Malachi’s followers across the countryside, rescuing many captives but not finding Meredith. On his journey, he meets a deranged priest who explains that Malachi’s followers are taking the weaker survivors as slaves and corrupting the strong into soldiers. The priest tries to feed Kane to his parishioners, who have become ghoul-like, but Kane escapes, only to face the robbers who attacked him earlier, now corrupted servants of Malachi. He kills two robbers and interrogates the survivor, who says Meredith is dead. Kane drinks to excess at a country inn. Former shipmates recognize him and try to recruit him as a leader of a resistance against Malachi, but Kane refuses. The inn is attacked by Malachi’s followers, led by his lieutenant the Masked Rider, Marcus Kane [Samuel Roukin], Kane’s older brother. They crucify the leaders of the resistance, including Kane. As Kane hangs on the cross, Meredith cries out his name from her cage in the back of the raiders’ wagon; Kane realizes he still has a chance to save her and pulls himself free. Before Malachi’s remaining men can finish him, they are killed by survivors of the resistance, who take Kane to safety. Kane is healed by a pagan woman and becomes anxious to confront the raiders.
Malachi used to be a healer before making a bargain with the Devil. He now lives in Kane’s ancestral home, from which Kane had been expelled in his youth after defying his father. Kane leads the rebels into the castle via an underground passage, and, as they fight Malachi’s minions, Kane heads for the dungeons and frees many captives. There, he finds his father, Josiah Kane [Max von Sydow], who reveals that the Masked Rider is Kane’s older brother Marcus, whom Kane thought he had accidentally killed after his banishment. Instead, Marcus was rendered comatose, and when healers failed to revive him, his father turned to Malachi. Disfigured and turned to Malachi’s will, Marcus became the Masked Rider. Kane reluctantly kills his father at his request, then heads to the throne room to confront Malachi. Kane finds Meredith in a cage, and as she warns him of a trap, Marcus stabs him in the back. Kane tries to reason with Marcus, but they engage in a duel; Kane wins after setting Marcus on fire and decapitating him. Malachi uses Meredith’s blood to release a demon sent to claim Kane’s soul, but Kane kills Malachi and sacrifices himself to close the portal; both Malachi and the creature are sucked back through it, leaving Kane unconscious on the floor. He awakens and explains to Meredith that he has finally redeemed his soul. Kane buries his father and Marcus and reunites Meredith with her mother. He assumes a new mission: to roam the Earth combating the forces of darkness.
Last Updated: October 09, 2025 at 10:44
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Tormented anti-heroes fight for a second chance against supernatural evil.If you liked Solomon Kane's quest for redemption, explore more movies where damned warriors and anti-heroes battle supernatural forces to cleanse their souls. These dark fantasy and action films share a heavy emotional weight, violent action, and a bittersweet tone, featuring protagonists haunted by a dark past.
Stories in this thread typically follow a linear descent-into-hell-and-back structure. A protagonist, condemned for past sins, is forced to renounce their violent ways but gets pulled back into conflict by a greater evil. Their redemption arc is not about becoming pure, but about using their darkness as a weapon for good, culminating in a costly personal victory.
Movies are grouped here based on their central theme of a morally grey protagonist's violent quest for redemption, a dark and gritty tone, high-intensity action, and a focus on supernatural or religious stakes. The shared experience is one of grim catharsis and heavy moral reckoning.
Brutal journeys through bleak, supernatural worlds where hope is hard-won.Fans of Solomon Kane's dark fantasy setting will enjoy these movies that feature brutal swordplay, grim atmospheres, and a fight against cosmic evil. These stories are defined by their oppressive mood, high-stakes action, and a world where good and evil are locked in a desperate, violent struggle.
Narratives are typically quest-based, often a rescue or a mission to stop a spreading darkness. The world-building is tactile and unforgiving, emphasizing survival and brutal combat over high magic. The protagonist is a skilled fighter, often an outsider, who operates in a morally ambiguous landscape where the line between man and monster is thin.
This grouping is defined by a shared aesthetic and mood: a dark, early modern or medieval setting, a focus on visceral sword-based combat, the presence of supernatural evil, and an overall grim, oppressive atmosphere. The pacing is steady, driven by action sequences and a clear, dire objective.
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