In the closing days of World War II, Simon Rawley [Nigel Patrick] is reported killed, and his blind father Robert Rawley [Stephen Murray] resolves to honor his memory by building a cricket pavilion in the village. The elder man’s neighbor, Lord Clandon [Seymour Hicks], presses him to widen the tribute to all the local men who gave their lives in the conflict, but Robert insists on keeping the dedication singular. Over the course of three years, planning and construction proceed slowly, and during this time Angela Rawley [Sally Gray], Simon’s widow, falls for Maxwell Oliver [Derek Farr], the son of the town’s doctor, while both are stationed in Occupied Germany after the war. Robert grapples with the fear that allowing Angela to move on would betray his dead son, yet his second wife Joan Rawley [Beatrice Campbell] gently argues that Angela deserves happiness again. The pavilion nears completion, and plans are laid for a grand dedication and opening, even as the village police chase a sly thief who knocked a motorist unconscious in London, stole his car, and dumped it nearby.
One evening, Robert encounters an intruder in his house. Angela, horrified, recognizes her “dead” husband, though she knows he must not be exposed. He crafts elaborate excuses to explain his disappearance and return, but Angela soon sees through the deceit. It becomes clear that Simon never died heroically on the battlefield; he was a deserter who reappeared after the war to flourished a crooked life as a black‑marketeering spiv. Now down on his luck, he has returned in a stolen car to press for money and a fresh start. It emerges that soon after their marriage Angela discovered Simon wasn’t the man she believed him to be, and her unhappy time with him has not escaped Joan’s notice. The two women vow to protect Robert from the truth, knowing that揭 the revelation would shatter the old man’s sense of his son.
As the truth unfolds, Simon uses Angela’s renewed attachment to Maxwell to extort £5,000 to disappear for good. Robert begins to piece together what is happening, sensing that something is terribly wrong and realizing that the intruder is somewhere in the house. A tense pursuit ends with Simon’s fall to his death from a balcony, throwing the household into shock. A visiting Lord Clandon has seen Robert’s portrait of his son and suggests discreetly that the portrait be hidden from view as the police arrive to handle the aftermath of the intruder. With his son’s betrayal laid bare at last, Robert agrees to alter the pavilion’s dedication, honoring the memory in a way that aligns with the truth and with Lord Clandon’s long‑standing wishes. The film closes on a note that blends memory, loyalty, and a quiet resilience in a family trying to navigate trust, faith, and the uneasy price of “remembering” rightly.
