Year: 1953
Runtime: 96 mins
Language: English
Director: Robert Hamer
To kiss or to kill? An innocent man is released from prison after 12 years and tracks down the witnesses who lied about him in court.
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Read the complete plot breakdown of The Long Memory (1953), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Phillip Davidson John Mills boards a boat and embraces Fay Driver, Elizabeth Sellars. He then goes below to try to persuade her alcoholic father, Captain Driver, Fred Johnson, not to involve Fay in his criminal activity. However, Boyd John Chandos brings aboard Delaney and two henchmen. When Boyd demands that Delaney pay him £500, rather than £200, a fight erupts, and Boyd knocks Delaney out. A broken oil lamp starts a fire, attracting the attention of the authorities, and Philip is fished out of the water. A charred corpse is found in the sunken boat. The Drivers and Tim Pewsey, John Slater, perjure themselves by identifying the dead man as Boyd, rather than Delaney, and claiming there was no other man present. This leads to Philip’s conviction for Boyd’s murder. Granted parole, he is released after 12 years in prison.
Upon release, he sets out to get even with the witnesses. He is kept under surveillance by the police on the orders of Superintendent Bob Lowther, who is now married to Fay. Philip finds an abandoned barge claimed by Jackson, a kindly old hermit Michael Martin Harvey. His plan is to live rough on the barge while he searches for the witnesses. But three people attempt – initially unsuccessfully – to befriend him. First, Jackson withdraws an initial request for rent. Then Craig, a newspaperman who suspects him to be innocent, arrives; Philip throws him out, but Craig tumbles down an open hatch and is knocked unconscious, and Philip rescues him Geoffrey Keen. Finally, he happens upon Ilse, a traumatised refugee. When he rescues her and allows her to stay on the barge, she falls in love with him Eva Bergh.
Informed by Craig that Captain Driver has died four years earlier, Philip stalks Pewsey, with Lowther and Craig on his trail. Pewsey is frightened into confessing to Lowther that there was another man present at the murder. Now Lowther’s marriage comes under increasing tension as he considers the possibility of his wife’s perjury. Finally, she confesses she did lie to protect her father. Lowther tells her that she will have to turn herself in and he will have to resign. She asks for time, and goes to see “George Berry”, who turns out to be Boyd. She asks him for money and they plan to leave the country together.
Ilse pleads with Philip to give up his dream of revenge and start a new life with her. He confronts Fay in her home, but realises that Ilse is right, and walks away.
When Fay realises Boyd is not coming, she attempts suicide by trying to jump in front of an oncoming Waterloo & City line train, but is stopped by other people on the platform. She leaves with police sent by her husband after he read her farewell note.
By sheer chance, Philip is then hired to deliver an urgent letter to “Berry”. Philip confronts Boyd in his office, initially with a gun, but he throws this aside, deciding to fight like men, but when Boyd picks up the gun Philip runs away. It is time for Boyd to meet Fay at London Waterloo railway station, but he pursues Philip and shoots him in the arm.
Philip flees to the barge, but Boyd is waiting for him. After a chase, Boyd is about to kill Philip when he is shot dead by Jackson.
Ilse and Philip refuse further help from the police. They are left to deal with their pasts and face the future together.
Last Updated: October 09, 2025 at 12:33
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Wrongfully accused men pursue justice, finding violence and a fragile chance at peace.If you liked the tense, vengeful quest in The Long Memory, explore more movies like it. These thrillers feature protagonists seeking justice after a great wrong, set in shadowy, suspenseful worlds. They share a dark tone, high emotional stakes, and a focus on moral conflict, often leading to a complex, bittersweet resolution.
The narrative follows a linear but emotionally heavy path: a catalyst of profound injustice ignites a single-minded pursuit of revenge. This quest forces confrontations with the past, revealing layers of guilt and moral ambiguity in other characters. The climax often involves a choice between pure vengeance and a more humane, albeit complicated, form of justice or personal redemption.
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Characters rebuild their lives after incarceration, haunted by the past and seeking a new path.Fans of The Long Memory's exploration of post-prison life will find similar themes here. These films delve into the struggles of reintegration, the weight of a criminal record, and the quest for personal peace. They are often gritty, emotionally heavy dramas with steady pacing and a focus on moral and psychological conflict.
The story begins with the protagonist's release, immediately presenting the world as a hostile and unfamiliar place. The central conflict is internal—battling demons of the past—and external—navigating prejudice and temptation. The plot is less about high-stakes action and more about a steady, often grim, progression as the character chooses between falling back into old patterns or struggling toward a fragile new identity.
These films are grouped by their deep dive into the ex-convict experience. They share a heavy emotional weight, a generally dark or melancholic tone, and a steady, character-focused pacing. The intensity comes from the constant psychological pressure and moral tests the protagonist faces, making the viewer deeply invested in their fragile chance at a new life.
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