Real Life

A documentary filmmaker who leads the project to film a regular American family for a year. He relentlessly pursues authentic moments through wall cameras and helmet cams, testing the boundaries of privacy. He is charismatic but ethically conflicted, ultimately copying a famous film ending to produce closure, which culminates in burning the house.

The father and veterinarian who grows nervous under constant filming. He accidentally administers an anesthetic twice, killing a horse, and begs Brooks not to show the footage. His fear of a nervous breakdown grows as the project continues to intrude on his work and family life.

The mother who seeks small escapes from the cameras but becomes entangled with Brooks’s charisma. She invites him to a gynecologist appointment, then kisses him and later reconsiders her attraction. The strain of watching her family under surveillance pushes her toward a quieter, more private resolve.

A doctor at the overseeing institute who observes the project’s integrity. He approaches the work with professional concern and helps measure its impact, while clashing with other stakeholders over the ethics of filming a family. He remains focused on the science and warns of the project’s potential harm.

A doctor and observer who opposes the intrusive filming. He leaves the project and later writes a book criticizing it as mind-control and psychological rape, attracting media attention. His departure marks a turning point as the family seeks to end their participation.

Jeanette’s grandmother who dies mid-project, plunging the family into deep depression. Her loss destabilizes the household and forces the Yeagers to confront their pain outside of the cameras. The event underscores how personal tragedy can be eclipsed, even temporarily, by ongoing observation.

The gynecologist refuses to be filmed due to a past scandal and is offered money to participate, which he declines. His stance highlights the tension between transparency and privacy in the project. His decision becomes a small but telling counterpoint to Brooks’s intrusive approach.