Year: 1979
Runtime: 77 mins
Language: English
Director: Peter Weir
The relentless, hard‑edged plumber arrives to fix the household waterworks, but his grating, macho attitude causes more damage than repair. He keeps coming back day after day, and his intrusive presence soon evolves into a genuine threat for the intellectual wife of an absent‑minded doctor.
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Dr. Brian Cowper, Robert Coleby, takes a shower in the flat he shares with his wife Jill, Judy Morris, a master’s student in anthropology. As he steps out of the building’s lift on his way to work, a shadowy figure enters and randomly selects the button for the ninth floor. He knocks on the Cowpers’ door and announces himself as Max, the building’s plumber Ivar Kants. Jill insists they did not call for a plumber, and Max assures her that he is simply doing a mandatory check of the building’s pipes.
Max maintains an affable, loquacious facade. Once inside the bathroom, he starts to chip away at the tile under the sink. When Jill rushes in to see what he is doing, Max improperly encourages her to leave him to his work. He closes the door and then takes a very loud shower. Meanwhile, Brian has been informed that a team from the World Health Organization is coming to interview him about his work. He calls Jill to share the news and, in his glee, dismisses her concerns about Max.
Max tells Jill that the apartment’s pipes are a mess and that he will come back tomorrow to replace them. After he leaves, Jill goes to the bathroom to look at the mess that Max made, and he suddenly appears behind her, claiming that the door was unlocked and that he was just bringing in her groceries, since he had noticed they were in a heavy box. This basic pattern of Max’s odd, slightly ominous behavior recurs and expands throughout the film. Because Brian never sees Max, he remains dismissive of Jill’s worries. In one shot, Max patiently waits in his car for Brian to leave before heading up to the apartment.
Max eventually erects an elaborate scaffolding in the bathroom which renders it largely useless. As the Cowpers host the WHO officials for dinner, one of their guests gets himself trapped in the rigging and injures himself. During an argument with Jill, Max finally promises to finish his work, threatening that he will do a haphazard job just to get it over with. Sure enough, the plumbing explodes, pouring fetid water all over the bathroom, and prompting the return of Max to the apartment.
The police arrest Max, search his car and find items that belong to Jill that she placed there to frame him. She looks down on the arrest from her balcony, and Max screams at her that she set him up.
Last Updated: October 09, 2025 at 10:45
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories where a character's sense of security is dismantled from the inside.If you liked the psychological torment and gradual terror of The Plumber, discover more movies where a character's sanctuary is invaded by an insidious presence. These films focus on the erosion of sanity and safety within the home, creating intense, claustrophobic experiences.
Narratives typically follow a protagonist, often isolated or dismissed, whose home becomes the stage for a psychological battle. An antagonist, masquerading in a mundane role, systematically breaks down their defenses through intimidation, gaslighting, and control, escalating from minor annoyances to a genuine existential threat.
Movies are grouped here for their shared focus on the psychological violation of personal space. They prioritize tension and unease over gore, building a pervasive dread through the manipulation of a single environment and the dynamic between an immobilized victim and a controlling intruder.
Tensions that simmer and boil over within the confines of a home.For viewers who appreciated the methodical build-up and domestic setting of The Plumber, this section features movies that master the art of the slow burn. Explore stories where everyday life is disrupted, leading to a steady crescendo of anxiety and threat within the home.
The narrative pattern involves a confined setting, usually a home, where a repetitive, intrusive element gradually shatters the protagonist's peace. The pacing is deliberate, focusing on the cumulative effect of small, unsettling events. A key theme is the protagonist's growing isolation, as their concerns are often downplayed by others, amplifying the feeling of being trapped.
These films are united by their use of a domestic space as a crucible for tension. They share a steady, deliberate pacing that allows dread to accumulate naturally, a high level of psychological intensity, and a focus on the unsettling feeling that safety is an illusion.
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Track the full timeline of The Plumber with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
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