Otto; or, Up with Dead People

Otto, a young gay man, navigates the vibrant streets of Berlin while grappling with the challenges of living an undead life. His peculiar behavior draws attention from various onlookers, setting the stage for his unique story.

Filmmaker Medea Yarn and her partner Hella Bent discover Otto and decide to document his unconventional journey for their underground film, 'Up with Dead People.' This film serves as a provocative exploration of politics, eroticism, and themes surrounding the undead.

Otto gains the support of Fritz Fritze, the main star of the film, who provides him with temporary shelter in his guest room. This safe space allows Otto to escape the chaotic streets and reflects the camaraderie beginning to blossom.

While staying in Fritz's guest room, Otto stumbles upon a wallet that reveals fragments of his former life. This discovery acts as a catalyst for Otto, igniting a quest to reconnect with his ex-boyfriend, Rudolf, who holds secrets about their past.

Otto reunites with Rudolf at the schoolyard where their romance initially blossomed. During this emotionally charged meeting, they confront the deeper realities of Otto's condition, shedding light on his struggles with schizophrenia.

Medea works tirelessly to complete her film, which takes a bold and controversial approach to portrayal, diving deeply into Otto's complex life. It encapsulates the nuances of his experiences within a provocative narrative framework.

Tragedy strikes when Otto becomes a victim of queerbashing, a violent attack that deeply affects him both physically and emotionally. This harrowing experience adds to the layers of tension in his already tumultuous life.

Following the brutal incident, Otto seeks solace in Fritz's apartment, where their initial connection deepens into a more profound bond. This refuge becomes a pivotal point for Otto, illustrating the importance of companionship during difficult times.

Medea reaches a conclusion for her film that is audacious and controversial, depicting Otto's layered identity through a stark artistic lens. This climax serves to challenge societal norms and provoke thought about representation.

In a symbolic act of closure, Medea incinerates her interpretation of Otto, leaving him as mere remnants of ash. This moment signifies a turning point in Otto's existence and the film's narrative.

After the cameras stop rolling and the film wraps, Otto makes a life-changing decision to leave Berlin. He chooses to embark on a new journey as a hitchhiker, fueled by the desire to escape the chaos and turmoil of his previous life.