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Natasha, Pierre & the Great Comet of 1812 (2022) movie poster

Timeline

Natasha, Pierre & the Great Comet of 1812 (2022) Timeline Explained – Every Event in Order

Release, runtime and language
2022 · 135 mins · English
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Directed by
Patrick Dooley, Erin Mei-Ling Stuart
Starring
Nick Rodrigues, Angel Adedokun, Albert Hodge, Jacqueline Dennis, Veronica Renner, Michelle Ianiro

Inspired by a section of Tolstoy’s War and Peace, this immersive musical tells the story of Natasha, a young woman awaiting her fiancé's return, and Pierre, a man grappling with regret. The production transforms the theater into a vibrant cabaret setting, complete with Russian vodka and an unforgettable theatrical experience. It explores themes of love, longing, and self-discovery amidst the backdrop of early 19th-century Russia.

On this page (4)
  1. 1 Where to watch
  2. 2 Events in order (15)
  3. 3 Movie threads
  4. 4 Every angle
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15 events in order · contains spoilers

Natasha, Pierre & the Great Comet of 1812 Timeline: Events in Chronological Order

Every key event of Natasha, Pierre & the Great Comet of 1812 (2022) in order, scene by scene, with when and where it takes place. Use it to untangle flashbacks, time jumps and parallel storylines, to refresh your memory before the sequel or to find the exact scene you are thinking of.

  1. Prologue in Moscow

    The story opens in Moscow, Russia, in 1812, with an introduction of all the characters and their relationships. Among them is Pierre Bezukhov, a depressed and unhappily married man who feels he is wasting his life. He is a close friend of Andrey Bolkonsky, who is away fighting in the war and is newly engaged to Natasha Rostova.

    When
    1812
    Where
    Moscow, Russia
  2. Natasha Arrives in Moscow

    Natasha Rostova and her cousin, Sonya Rostova, arrive in Moscow to stay with Natasha's godmother, Marya Dmitrievna. The two young women wait eagerly for Andrey to come home from the war. Natasha knows she will soon have to meet her future in-laws for the first time.

    Where
    Moscow, Russia
  3. Disastrous Meeting with the Bolkonskys

    Natasha is taken to meet Andrey's lonely sister, Mary Bolkonskaya, and his father, the old Prince Bolkonsky, who are trapped in a hateful co-existence. The meeting ends in disaster, as Natasha finds Mary cold, Mary finds Natasha vain, and Bolkonsky behaves bizarrely before dismissing her. Natasha leaves heartbroken, missing Andrey more than ever, and recalls the time they first met.

    Where
    The Bolkonsky House
  4. Anatole Flirts with Natasha at the Opera

    The next night, Natasha attends the opera with Sonya and Marya. There she catches the eye of Anatole Kuragin, Pierre's brother-in-law and a notorious rogue and womaniser. Anatole visits her box to flirt, leaving Natasha with feelings she has never experienced before.

    When
    The next night
    Where
    The Opera
  5. Pierre Challenges Dolokhov to a Duel

    Anatole arrives home after the opera and goes out drinking with his friend Fedya Dolokhov and Pierre, joined by Hélène Bezukhova, Pierre's unfaithful wife and Anatole's sister. Dolokhov taunts Pierre by raising a toast to 'married women and their lovers', prompting a drunk Pierre to challenge him to a duel. Pierre accidentally wounds Dolokhov, while Dolokhov, despite being a renowned crack shot, miraculously misses him. Before parting, Anatole, who is secretly married, asks Hélène to invite Natasha to a ball that evening.

    When
    That night
  6. Pierre Reflects on His Life

    Left alone after the duel, Pierre reflects on his near-death experience. Despite believing he has wasted his life, he realizes that he still wishes to live and to find love.

    When
    The day of the duel
  7. Hélène Invites Natasha to the Ball

    The next morning, as Natasha prepares for church, she is confused about her feelings for Anatole and fears that something may prevent her from being with Andrey. Later that day, Hélène visits Natasha, praises her beauty, and invites her to the ball that evening, which Natasha accepts. Privately, Hélène revels in the scandalous idea of her brother and Natasha getting together.

    When
    Sunday morning
  8. Anatole Declares His Love at the Ball

    At the ball, Anatole greets Natasha and the two dance together. Ignoring her protests that she is already engaged, Anatole professes his love and kisses her. Natasha falls in love with him in return.

    When
    That night
    Where
    The Ball
  9. Sonya Discovers the Secret Letters

    While Pierre begins studying in search of enlightenment, Natasha is torn between her feelings for Andrey and Anatole. Sonya discovers the letters between Natasha and Anatole and confronts her cousin, desperately explaining her distrust of Anatole. Natasha bursts out in anger at her and later writes to Mary to break off her engagement with Andrey. Alone, Sonya resolves to save Natasha, even if it costs her their friendship.

  10. The Failed Elopement

    That evening, Anatole and Dolokhov prepare for Anatole's elopement with Natasha, and Dolokhov's attempts to change Anatole's mind fail. Their troika driver, Balaga, arrives to take them to Natasha's house, where they will retrieve her before departing. However, the plot is thwarted at the last moment by Marya, who has discovered the plan. Natasha tearfully reaffirms her love for Anatole, still unaware that he is married, and waits all night for him.

    When
    That evening
    Where
    Natasha's House
  11. Pierre Confronts Anatole

    Marya calls on Pierre in the middle of the night, begging him to handle the crisis, and Pierre tells her that Anatole is already married. Outraged, Pierre searches Moscow for Anatole while Marya and Sonya tell a grief-stricken Natasha the truth. Pierre eventually finds Anatole at Hélène's house and, close to violence, orders him to leave Moscow and burn all his correspondence with Natasha. A terrified Anatole agrees, but not before squeezing travelling money out of Pierre.

    When
    Middle of the night
    Where
    Hélène's House
  12. Natasha's Suicide Attempt

    Devastated by the exposure of Anatole's deception and his disappearance, Natasha attempts to take her own life by poisoning herself with arsenic. She survives the attempt, but is left gravely ill.

  13. Andrey Returns from War

    Andrey returns home from the war and is disoriented by Natasha's refusal of his marriage proposal, which he asks Pierre about. Pierre explains the scandal and pleads with him to be compassionate, but Andrey is unable to forgive Natasha. He cold-heartedly tells Pierre that he will not ask for her hand in marriage again.

    When
    The next day
  14. Pierre Comforts Natasha

    Pierre visits the shattered Natasha, meeting her for the first time, and comforts her. During their conversation, he tells her that if he were the best man on Earth and were free, he would gladly marry her, giving her hope for the future.

  15. The Great Comet of 1812

    After his meeting with Natasha, Pierre experiences a moment of enlightenment as he watches the Great Comet of 1812 soar across the night sky. The celestial sight fills him with a renewed sense of meaning, hope, and the desire to live fully.

    When
    Night, 1812
    Where
    Moscow

Last updated: October 28, 2026 at 07:14

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Movie threads

More Movies Like Natasha, Pierre & the Great Comet of 1812, by Mood & Story

Curated lists built around what makes Natasha, Pierre & the Great Comet of 1812 tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Love and regret stories like Natasha, Pierre & the Great Comet of 1812

Romantic upheaval turns longing, betrayal, and moral reckoning into fragile hope. Explore movies like Natasha, Pierre & the Great Comet of 1812: sweeping romantic dramas where desire disrupts marriage, mistakes carry lasting consequences, and spiritual renewal arrives only after heartbreak. These emotionally demanding stories pair passionate intensity with moral complexity, regret, and bittersweet hope.

  • passionate
  • bittersweet
  • heartbreaking
  • romantic
  • regretful
  • melancholic
  • Tone: bittersweet, passionate, melancholic
  • Pacing: variable, reflective, climactic
Why these movies?

The story pattern: These stories typically follow a vulnerable young woman or introspective man whose longing opens a path toward both self-knowledge and ruin. Affairs, failed escapes, duels, and family conflict turn private passion into public crisis, forcing the central figures to confront jealousy, responsibility, faith, and the possibility of a new beginning.

Why they belong together: They are grouped by the collision of erotic longing and moral consequence. Characters make emotionally understandable but damaging choices, and the narrative lets love remain meaningful without excusing betrayal. Reflective passages deepen regret, while the finale offers spiritual hope without fully resolving forgiveness, preserving a bittersweet emotional charge.

Theatrical musical dramas like Natasha, Pierre & the Great Comet of 1812

Vivid performance energy becomes a fragile refuge from adultery, war, and despair. Discover movies like Natasha, Pierre & the Great Comet of 1812 that turn theatrical performance into a frame for darker stories. These sweeping musical dramas mix cabaret energy with adultery, war, despair, and social upheaval, balancing bright spectacle against painful character arcs and a bittersweet sense of fragile hope.

  • theatrical
  • cabaret
  • passionate
  • bittersweet
  • melancholic
  • heartbreaking
  • Tone: bittersweet, theatrical, melancholic
  • Pacing: variable, musical, building toward rupture
Why these movies?

The story pattern: These narratives often use a performance setting as both refuge and amplifier: characters sing, flirt, and perform for an audience while larger forces—war, social duty, scandal, or existential doubt—intrude. The brightest sequences establish emotional temptation, then darker turns expose the cost of desire and the limits of escape.

Why they belong together: These films are united by the deliberate collision of showmanship and suffering. Their staged or cabaret-like environments create momentum and glamour, while variable pacing lets reflective numbers deepen melancholy before crises accelerate. As a result, the musical surface remains thrilling without erasing moral unease.

Every angle

Natasha, Pierre & the Great Comet of 1812 (2022) Explained: Plot, Timeline & Characters

Everything about Natasha, Pierre & the Great Comet of 1812 in one place: what happens in the plot summary, the timeline in chronological order, the characters and meaning and a spoiler-free summary. What's After the Movie adds the cast, box office and post-credit scenes.

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