Nails

In the aftermath of a sudden, violent car crash, former track coach Dana Milgrom awakens to a world reduced to the sterile confines of a rehabilitation hospital. The once‑dynamic rhythm of her life is now measured in the beeps of machines and the limited motion of a body that refuses to cooperate. Though surrounded by the bustle of caregivers and the bright optimism of recovery charts, the room feels more like a cage, and every passing hour amplifies the thin line between physical pain and mental endurance.

Visiting family members try to stitch together a sense of normalcy: Steve, her husband, shuffles between hope and helplessness, while their daughter Gemma offers fleeting moments of childhood light. The staff—Trevor, a pragmatic nurse, and Dr. Ron Stengel, a curious physician—oscillate between professional detachment and genuine concern, often questioning whether Dana’s heightened anxiety is a side effect of trauma or something more elusive. The hospital’s corridors, bathed in fluorescent glow, pulse with the unspoken anxieties of patients and the weary resolve of those tasked with their care, creating an atmosphere that is both clinical and suffocating.

Amid this fragile equilibrium, Dana becomes aware of a disturbing presence that the staff dismisses as imagination. Referred to only as “Nails,” the entity seeps into the edges of her perception, turning ordinary shadows into whispered threats. As her reality begins to fragment, she is forced to confront a darkness that challenges both her sanity and her will to survive. The film balances stark, claustrophobic tension with moments of fragile humanity, inviting the audience to wonder whether the true horror lies in the unseen menace or the isolation of a mind caught between life and the lingering echo of death.

Last Updated: August 10, 2025 at 02:58