My Prince Edward

In the cramped yet vibrant streets of Prince Edward, Hong Kong, life revolves around the bustling market of wedding dreams. Small storefronts line the mall, their glossy displays promising affordable gowns, bouquets, and photo packages for couples eager to cement their futures. The neighborhood hums with a mix of neon optimism and the relentless pressure of sky‑high rents, creating a backdrop where love and commerce constantly intersect.

Fong spends her days amid ribbons and lace, managing a modest bridal‑gown rental shop that caters to everyday couples seeking a touch of elegance without breaking the bank. Her longtime partner, Edward, runs a neighboring photography studio, and together they share a tiny flat above the mall—an arrangement that feels both intimate and precarious. As they contemplate a move to a larger space, Edward’s mother steps in with unsolicited plans for a grand family banquet, casting a shadow of traditional expectations over their modest aspirations.

Complicating the delicate balance is the unexpected return of a former partner, a mainlander whose brief, bureaucratic marriage to Fong was intended as a harmless arrangement. The resurfacing of this past connection pulls her into a maze of legal formalities, lingering obligations, and the lingering question of how much of one’s history can be left behind. At the same time, the looming specter of unaffordable housing and the weight of overbearing in‑laws amplify the tension between personal freedom and cultural duty.

Against this tapestry of urban hustle, familial pressure, and lingering pasts, Fong navigates a world where love is both a business and a battlefield. The film sketches a mood that blends quiet melancholy with wry humor, inviting viewers to wonder whether she will carve a path that honors her own desires or surrender to the expectations that surround her.

Last Updated: September 20, 2025 at 16:44