Moonnamathoral

Two young women, Anupama and Rahel, rent an old bungalow and feel unsettled by the presence of a strange woman who seems to move about the place. Subtle noises and unseen movements intensify their fear as they search empty rooms. The uneasy atmosphere hints at a haunted history embedded in the walls.

One night, both girls experience a horrifying dream where someone is trying to kill them. They awaken to realize they shared the same nightmare, confirming a sinister link between them. The dream signals that the bungalow is more than just old walls.

Fearful and shaken, the sisters decide to leave the place the next day. They hurriedly pack their belongings and prepare to abandon the bungalow, hoping to escape whatever haunts it. The decision marks the first step away from the strange events.

Rahel consults Dr. Arun and the two go to his house to seek answers. They call out his name, but he doesn't hear them and simply goes inside. The encounter deepens their confusion as the doctor becomes a barrier to understanding what they witnessed.

Inside the house, a newspaper clipping announces their 30th death orders, and the shocking realization hits them: they are dead. The discovery drives them to uncover how their lives were cut short and who bears responsibility. A sense of justice forms the core of their new resolve.

Jeevan, a police officer, falls in love with Bala, a writer whose life overlaps with his. Their romance faces the strains of ambition and duty, delaying marriage. They continue to nurture their bond even as professional demands pull them in different directions.

After their marriage, Jeevan is transferred to the high ranges of Idukki, which Bala hopes will inspire her writing and rekindle their bond. They move to the new setting seeking a fresh start together. The mountain air and solitude become a backdrop for change in their relationship.

Back in the bungalow's shadow, Bala begins to sense an otherworldly presence and experiences nightmarish visions. The ancient house seems to keep a lingering watch over them both. The haunting intensifies as fear begins to seep into their daily lives.

Sensing danger, Jeevan agrees to investigate the bungalow’s past to protect their relationship. His sleuthing begins as he digs into the truth behind the haunting. The investigation connects his world with that of the two young women and the doctor who crossed them.

Jeevan uncovers a forgotten history tied to the bungalow and two young women, including a bag left by a mysterious woman and a greeting card addressed to Dr. Arun. The clue points to a deeper connection with the doctor and a potential motive. The discovery pushes the investigation toward the hospital and the doctor’s past.

Jeevan searches for Dr. Arun at the hospital before the latter departs for Australia. The impending departure heightens the urgency to uncover what happened and bring closure to the restless spirits. The hospital setting becomes a hub for key revelations.

A flashback reveals Dr. Arun's predatory, manipulative side as he invites Anupama into his home while Rahel waits outside. He attempts to harm Anupama, and Rahel's desperate scream pulls her back into danger. The two sisters are killed, and Dr. Arun disposes of their bodies by hanging them from a tree.

With the truth uncovered, the spirits of Anupama and Rahel target Dr. Arun, haunting him and influencing events around him. The living begin to feel their vengeful presence as the past closes in. The haunting asserts itself as a cosmic debt finally demands payment.

The departed girls possess Bala, take control of her body, and unleash their long-awaited justice. Bala's body becomes a vessel for the vengeful spirits as they confront Dr. Arun. Dr. Arun’s life ends in the bungalow's shadow, sealing the sisters' vengeance.

The story closes with the implication that the spirits remain accessible, their presence felt in Bala's experiences and in the bungalow’s shadowy memories. The boundary between the living and the dead remains blurred, suggesting the haunting is far from over.