Mars and April

In a near‑future where humanity steadies itself for the first crewed mission to Mars, the sky hums with scientific optimism and a quiet, philosophical yearning. Engineers, astronomers, and dreamers debate the physics of relativistic travel, while a subtle undercurrent of personal longing weaves through the preparation. The film’s tone balances the sleek cold of space‑age ambition with a warm, almost tactile intimacy, inviting viewers to feel both the enormity of the cosmos and the fragile pulse of everyday desire.

Jacob Obus is a 75‑year‑old jazz virtuoso whose fame rests on instruments unlike any other—each one fashioned after the contours of a woman’s body and played without ever speaking to the models that inspire them. His performances become a ritual of touch and sound, a blend of woodwind, string, and imagination that conjures a new music never before heard. In the company of his younger collaborator, Arthur, the visionary artist who designs these singular creations, Jacob navigates a world of reverence and isolation, his art both a shield and a bridge to something deeper.

Enter Avril, a young photographer whose presence promises to shift the quiet equilibrium of Jacob’s life. Her camera captures the unseen angles of his performances, and her curiosity draws both men into a delicate, unspoken tension. Overseeing this dance of affection and inquiry is Eugène Spaak, a celebrated inventor and cosmologist whose groundbreaking theory links humanity’s drive to explore Mars with the primal forces of love and music. His counsel nudges Jacob toward a broader contemplation of purpose, hinting that the quest for distant worlds may echo the inner journeys we each must undertake.

Last Updated: September 20, 2025 at 16:47