Making Love

In the early 1980s, a comfortable Los Angeles suburb becomes the backdrop for a quietly ambitious life. Zack Elliot is a talented oncologist whose days revolve around the steady rhythm of his practice, a shared love of Gilbert and Sullivan with his wife, and the poetry of Rupert Brooke—a taste first handed down by their elderly neighbor, Winnie Bates. Married to Claire, a driven television network executive, the couple has built a seemingly solid partnership, purchasing a spacious house as the next step toward the family they’ve long imagined. Their world is one of cultivated routine, where aspirations and affection coexist beneath a calm surface.

Beneath that calm, Zack carries a private yearning that he has yet to name. Quiet lunches in West Hollywood draw him to gay bars, where the anonymity of the crowd offers a glimpse of a side of himself he has kept hidden from his marriage. It is in this liminal space that he encounters Bart McGuire, an openly gay novelist whose flamboyant charm and unapologetic honesty stand in stark contrast to Zack’s measured reserve. Their connection sparks a tension that forces Zack to confront the divide between his professional identity and his emerging sense of desire, while Claire begins to sense an unspoken distance growing between them.

The film moves with a restrained, observational tone, allowing moments of intimate, fourth‑wall monologue to reveal the inner lives of its characters. Bart and Claire speak directly to the audience, offering candid reflections on love, loyalty, and the courage required to live authentically. The atmosphere is one of gentle melancholy layered with quiet hope, inviting viewers to linger on the nuanced emotions that surface when personal truth collides with the expectations of a carefully constructed life.

Last Updated: November 25, 2025 at 15:08