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If I Can’t Have Love, I Want Power (2021) movie poster

Timeline

If I Can’t Have Love, I Want Power (2021) Timeline Explained – Every Event in Order

Release, runtime and language
2021 · 53 mins · English
Echo score 68
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Directed by
Colin Tilley
Starring
Brian Caspe, Sasha Lane, Halsey, David Zelina, Jakub Černý, Igor Krištof

This evocative film experience accompanies Halsey's fourth studio album, produced by Trent Reznor and Atticus Ross. Halsey stars as Queen Lila, a young and pregnant ruler struggling against the controlling and manipulative forces of love. The film explores themes of power, control, and the complexities of relationships in a visually striking and emotionally charged narrative. It’s a temporary state, and Lila must navigate her position with care.

On this page (6)
  1. 1 Where to watch
  2. 2 Events in order (16)
  3. 3 Timeline questions answered
  4. 4 Movie threads
  5. 5 Movies like If I Can’t Have Love, I Want Power
  6. 6 Every angle
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16 events in order · contains spoilers

If I Can’t Have Love, I Want Power Timeline: Events in Chronological Order

Every key event of If I Can’t Have Love, I Want Power (2021) in order, scene by scene, with when and where it takes place. Use it to untangle flashbacks, time jumps and parallel storylines, to refresh your memory before the sequel or to find the exact scene you are thinking of.

  1. King's Death

    Lila, the young queen, returns to her castle only to discover that the king is dead. This shocking revelation sends her into disarray as she grapples with her new reality.

    Where
    Castle
  2. Encounter with Lilith

    While staring into a mirror, Lila finds that her reflection has taken on a life of its own, introducing herself as Lilith. This unsettling encounter leaves the court members anxious and questioning Lila's stability.

    Where
    Castle
  3. Preparation for the Throne

    Amidst the chaos, Lila is groomed to assume the duties of the king. However, she grows bored and vainglorious, soon abandoning the throne to seek solace on the balcony.

    Where
    Throne Room
  4. Mourning the King

    The kingdom comes together to mourn the loss of the king. Strangely, Lila feels content about his death, revealing deeper emotional turmoil as she grapples with her feelings.

    Where
    Castle
  5. Revealing the Bruise

    Lila confides in the Matriarch and Aristocrat by showing them a bruise from the king's physical assault. This moment is crucial as it explains her conflicted emotions regarding his death.

    Where
    Castle
  6. Nightmare Attack

    That night, Lilith emerges from the mirror and attacks Lila, stabbing her in the stomach. This horrifying incident marks a turning point in Lila's mental state.

    Where
    Lila's Bedroom
  7. Pregnancy Test

    Awakening from her nightmare, Lila becomes frantic and pulls out seeds to test her pregnancy. This moment showcases her desperation and confusion as she sees Lilith in the mirror.

    Where
    Castle
  8. Descent into Madness

    Trying to find a semblance of calm, Lila goes to a bathhouse but is haunted by her reflection showing Lilith. Her terror propels her into a state of panic and isolation.

    Where
    Bathhouse
  9. Binge and Mayhem

    To cope with her problems, Lila drinks excessively with friends, causing chaos in a nearby village. This reckless behavior highlights her irresponsible approach to her grief and her responsibilities.

    Where
    Village
  10. Witch's Cabin Encounter

    Lost in the woods after falling off her horse, Lila stumbles upon a witch's cabin. The witch encourages her to practice lamaze techniques, which frightens Lila further.

    Where
    Forest
  11. Doomed Executions

    The Aristocrat confronts Lila, declaring that as a common widow, she should lose her title and face execution after giving birth. This ultimatum solidifies her fate and escalates her resolve.

    Where
    Castle
  12. Retreat to the Lake

    In an anguished state, Lila attempts to drown herself and her unborn child in the lake. However, a sudden kick from the baby awakens her maternal instincts, leading her to flee the castle instead.

    Where
    Lake
  13. Moments Before Birth

    After fleeing to find safety, Lila gives birth with the witch's help. However, her troubles deepen as the Aristocrat discovers her location, leading to another harrowing turn.

    Where
    Witch's Cabin
  14. Return to the Castle

    Lila is forcibly returned to the castle after the witch's cabin is burned down. This marks her brutal and undeserved punishment as she grapples with the loss of her freedom and her child.

    Where
    Castle
  15. The Final Beheading

    Lila, now in despair, finds herself at the guillotine with her thoughts drifting towards what could have been. Just as she envisions a loving life with her child, her tragic fate is sealed with her beheading.

    Where
    Castle
  16. Lilith's Escape

    Following Lila's death, Lilith escapes from the mirror, surveying the aftermath of the chaos she has inflicted. This moment signifies her dominance as she picks up the crown of Lila, implying the end of Lila’s reign.

    Where
    Castle

Last updated: September 18, 2026 at 08:59

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Timeline questions answered

If I Can’t Have Love, I Want Power Timeline Explained: Your Questions Answered

When does it happen, and why in that order? The questions people ask about the chronology of If I Can’t Have Love, I Want Power (2021): time jumps, flashbacks, cause and effect between scenes and the correct order of events, each answered with spoilers.

Q1

Who is Lilith and why does she appear in the mirror?

Lilith is a dark, independent entity that inhabits Lila's reflection and acts on her behalf when she cannot act herself. She emerges during moments when Lila is vulnerable or restrained, embodying the rage Lila suppresses against the abusive king and the hostile court. By the end of the film, Lilith is revealed to be the physical force that slaughters the guards and the Aristocrat, completing the violence Lila could never openly commit.

Foreshadowing: The very first mirror encounter establishes that Lila's reflection moves on its own, hinting that Lilith is not a hallucination but a separate being waiting to be unleashed.

  • lilith
  • mirror reflection
  • suppressed rage
  • dark entity
  • duality
Q2

Why did Lila poison the king?

Lila poisoned the king's wine after he physically and sexually assaulted her, which is the same assault that resulted in her pregnancy. The poisoning is shown in a flashback near the end of the film, reframing his sudden death as an act of desperate self-defense rather than a natural passing. Her satisfaction upon learning of his death is rooted in the relief of escaping an abuser.

Foreshadowing: Early in the story, Lila shows the Matriarch and Aristocrat a bruise from the king, quietly establishing the abuse that will later be revealed as her motive for murder.

  • king's death
  • poisoning
  • assault
  • abuse
  • motive
Q3

Why does the Aristocrat want Lila executed?

The Aristocrat strips Lila of her royal status because she is a commoner who married into the throne and has no royal bloodline of her own. With the king dead and no legitimate heir yet born, her position is treated as illegitimate, making her expendable. The Aristocrat uses this power vacuum to push for her death, framing it as legal justice.

Foreshadowing: The court earlier debates Lila's lineage, planting the doubt about her bloodline that the Aristocrat later weaponizes.

  • execution
  • aristocrat
  • commoner
  • royal blood
  • succession
Q4

What is the rule about Lila's baby being a boy or a girl?

The court decree states that if Lila gives birth to a boy, the child will be raised in court and used to continue the royal line, while a girl will be killed because she carries no political value to the Aristocrat. This ruling is what ultimately drives Lila to attempt suicide rather than surrender her child to that fate. The rule highlights how the court views both Lila and her offspring as instruments of power rather than people.

  • baby
  • boy or girl
  • royal heir
  • court decree
  • execution order
Q5

How does Lila test for pregnancy using seeds?

After waking from a nightmare in which Lilith stabs her in the abdomen, Lila urinates on a handful of seeds as a folk pregnancy test and waits to see if they sprout. When the seeds begin to grow shortly after, she confirms she is carrying the king's child. The method is presented as old-world superstition, fitting the medieval, gothic setting of the film.

Foreshadowing: The stabbing nightmare itself is a symbolic premonition of the pregnancy, since Lilith attacks her stomach before she even knows she is with child.

  • pregnancy test
  • seeds
  • superstition
  • folk medicine
  • gothic setting
Q6

How does Lila end up free in a castle full of dead guards?

After Lila is locked in a cell following the birth of her child, Lilith breaks free from the mirror and massacres the guards and the Aristocrat who imprisoned her. Lila wakes to find every guard dead, with no explanation, and is able to walk freely to the nursery to retrieve her baby. The slaughter is Lilith's final act of liberation, clearing the path for Lila's last moments with her child before the execution.

Foreshadowing: Lilith's earlier stabbing nightmare and the haunting visions of her hands on Lila's stomach preview the violent role she will eventually play.

  • guards killed
  • lilith escapes
  • castle massacre
  • liberation
Q7

What happens to Lila's baby after she is executed?

Before her beheading, Lila carries her child to the guillotine and hands the baby to a maid, entrusting someone else with the child's survival. The film does not show what ultimately becomes of the infant, leaving the outcome ambiguous. What is clear is that Lila refuses to let her child die at the guillotine beside her and chooses one final act of love before her death.

  • lila's baby
  • guillotine
  • maid
  • child fate
  • beheading
Q8

Why does Lila try to drown herself and her baby in the lake?

After learning she will be executed regardless of her child's fate, Lila breaks down and walks into a lake intending to take both their lives rather than surrender her baby to the court. The moment she feels the baby kick, her maternal instinct overrides her despair and she swims back to shore, choosing to fight for the child instead. This near-drowning is the turning point that leads her to seek out the witch's cabin for help.

Foreshadowing: Earlier attempts to feel the baby, like pressing on her stomach after the nightmare, show Lila already wrestling with maternal feeling before the lake scene.

  • lake
  • drowning
  • suicide attempt
  • maternal instinct
  • baby kick
Q9

What does the ending with Lilith taking the crown mean?

The final scene shows Lilith walking through the blood-soaked castle, surveying the bodies of the guards and the Aristocrat, and picking up Lila's crown before leaving. This imagery frames Lilith as the true successor to Lila's suppressed rage, ascending to power only after the woman she protected has been destroyed. The bleak ending suggests that liberation for Lila came only through annihilation, with her dark counterpart inheriting a throne built on violence.

Foreshadowing: Lilith's first appearance as a separate reflection foreshadows her eventual independence from Lila, and each violent act in the mirror prefigures the final takeover.

  • ending explained
  • lilith crown
  • throne
  • bleak ending
  • tragic fate
Q10

Why does the Aristocrat burn down the witch's cabin?

The Aristocrat burns the witch's cabin after tracking Lila there, killing the witch who helped deliver Lila's baby and eliminating the one person who had aided the queen outside the court's control. Burning the cabin also destroys any evidence of Lila's brief escape and removes the only ally she might have relied on. The act is both retribution against the witch and a demonstration of the Aristocrat's ruthless control over Lila's fate.

Foreshadowing: The Aristocrat's earlier insistence that Lila be stripped of royal status foreshadows his willingness to use lethal force to enforce his authority.

  • witch cabin
  • burned down
  • aristocrat
  • witch killed
  • retribution
Q11

Is Lila actually dead at the end of the film?

Lila is unequivocally executed by guillotine at the end of the film, shown moments after she envisions a loving future with her child. The beheading is portrayed as real and final, with no resurrection or implied survival. Her death is what allows Lilith to fully emerge and take the crown, suggesting the two were always bound together as one being split between restraint and rage.

Foreshadowing: The mirror motif throughout the film, where Lilith acts out what Lila cannot, foreshadows that Lila's physical death is the price for Lilith's complete freedom.

  • lila death
  • guillotine
  • beheading
  • lilith takes over
  • final scene
Q12

What happens to Lila at the bathhouse?

Lila goes to the bathhouse seeking calm, but her reflection continues to show Lilith in a menacing way, terrifying her into fleeing. The bathhouse scene functions as one of several atmospheric breaks where the horror is psychological rather than physical, showing how Lilith's presence is inescapable. It marks the point where Lila can no longer find peace in any space within the castle.

  • bathhouse
  • reflection
  • lilith
  • psychological horror
  • panic

Movie threads

More Movies Like If I Can’t Have Love, I Want Power, by Mood & Story

Curated lists built around what makes If I Can’t Have Love, I Want Power tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Dark mirror duality and fractured identity like in If I Can't Have Love, I Want Power

Stories where a hidden, darker self rises to consume the fragile one trying to hold it together. Movies and visual experiences like If I Can't Have Love, I Want Power that center on a protagonist split between a controlled self and a monstrous reflection. If you liked the Lila and Lilith duality in Halsey's gothic visual album, you'll find similar films exploring fractured identity, suppressed rage, and the terrifying moment when the darker self takes over.

  • fractured identity
  • dark mirror
  • duality
  • suppressed rage
  • gothic horror
  • psychological
  • Tone: dark, brooding, gothic
  • Pacing: variable, with sudden violent bursts
Why these movies?

The story pattern: These stories begin with a protagonist whose outward compliance hides an inner fracture. A triggering event, often violence or oppression, awakens the darker half who has been waiting in the wings. The narrative tracks the escalating tension between restraint and release, the visible self and the hidden one. Climaxes tend to be visceral and often tragic, with the darker self either consuming the original, merging with it, or fully taking over, leaving little room for tidy redemption.

Why they belong together: They share a psychological intensity grounded in duality, where the central conflict is internal as much as external. Pacing is often variable, alternating quiet, atmospheric scenes with sudden bursts of violence. Tone is overwhelmingly dark and oppressive, with heavy emotional weight. Endings tend to be bleak, reflecting that the cost of becoming whole is often destruction.

Bleak gothic rebellion against patriarchal power like in If I Can't Have Love, I Want Power

Gothic, regal worlds where women fight brutal systems of power and pay in blood. Dark fantasy and historical films like If I Can't Have Love, I Want Power that place women inside brutal regal systems and trace their fight for autonomy. If you liked Halsey's operatic visual album about a queen resisting patriarchal violence, you'll find similar movies exploring female rebellion, motherhood under duress, and the blood-soaked cost of liberation.

  • gothic regal
  • patriarchal violence
  • female rebellion
  • motherhood under duress
  • oppressive court
  • operatic tragedy
  • Tone: dark, bleak, operatic
  • Pacing: variable, ritualistic with bursts of violence
Why these movies?

The story pattern: A young woman, often pregnant or facing the threat of motherhood under coercion, occupies a throne or station she barely controls. Surrounding her are scheming courtiers, a violent or manipulative partner, and rituals that reinforce her subjugation. The narrative builds through small acts of defiance and atmospheric dread, escalating into a violent climax where the protagonist either dies, loses everything, or becomes the very monster she fought. Endings are bleak, with liberation framed as destruction rather than triumph.

Why they belong together: They share a gothic, regal visual language and an unflinching focus on gendered violence and power. Pacing varies between slow, ritualistic scenes and sudden eruptions of cruelty. Tone is dark, oppressive, and brooding, with heavy emotional weight driven by themes of motherhood, bodily autonomy, and survival. The endings lean bleak or tragic, refusing easy hope.

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