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If I Can’t Have Love, I Want Power (2021) movie poster

Plot Summary

If I Can’t Have Love, I Want Power (2021) Plot Summary Explained

Release, runtime and language
2021 · 53 mins · English
Echo score 68
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Directed by
Colin Tilley
Starring
Brian Caspe, Sasha Lane, Halsey, David Zelina, Jakub Černý, Igor Krištof

This evocative film experience accompanies Halsey's fourth studio album, produced by Trent Reznor and Atticus Ross. Halsey stars as Queen Lila, a young and pregnant ruler struggling against the controlling and manipulative forces of love. The film explores themes of power, control, and the complexities of relationships in a visually striking and emotionally charged narrative. It’s a temporary state, and Lila must navigate her position with care.

On this page (6)
  1. 1 Where to watch
  2. 2 What happens: full plot
  3. 3 Plot questions answered
  4. 4 Movie threads
  5. 5 Movies like If I Can’t Have Love, I Want Power
  6. 6 Every angle
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Full plot summary · contains spoilers

What Happens in If I Can’t Have Love, I Want Power: Full Plot Summary

The whole story of If I Can’t Have Love, I Want Power (2021) explained, from the opening scene to the final frame: every key event, every twist and what it all adds up to. Read it as a quick recap before the sequel, to check a scene you missed, or to finally understand what really happened.

Lila, a young queen, faces a shocking turn of events upon her return to the castle, discovering that the king has died. As she gazes into a mirror, she realizes that her reflection is possessed by a separate entity named Lilith. This unsettling encounter prompts her to dash out onto the balcony, causing a stir among the court. The court members engage in discussions concerning Lila's future while retracing her family’s lineage. Soon after, we see Lila preparing to assume the king's responsibilities as she sits on her throne. However, feeling a sense of boredom and self-importance, she quickly abandons her duties and returns to the balcony, where she witnesses an eerie, fiery light.

As the kingdom mourns the loss of their monarch, Lila finds an unexpected sense of satisfaction in the king’s demise. She reveals to the Matriarch and the Aristocrat that she bears a bruise, indicating she was physically assaulted by the king, thus explaining her feelings of contentment. That night, Lilith emerges from the mirror once more, viciously stabbing the sleeping Lila in the abdomen. Awakening from this dreadful nightmare, Lila frantically pulls out seeds from a drawer, urinating on them to check for pregnancy. A troubling sight in the mirror reveals Lilith’s hands caressing her stomach, leaving Lila increasingly disturbed.

Determined to find solace, Lila heads to a bathhouse, but terror forces her to flee as her reflection continues to show Lilith in a menacing light. Seeking to celebrate the king's death, Lila invites her friends for a day of revelry, succumbing to drunkenness and engaging in chaotic behavior in the village. In a state of confusion, she attempts to return to the castle, but after falling from her horse, it runs off. Alone and intoxicated, Lila wanders into a forest, eventually discovering a witch's cabin. The witch cautiously feels Lila’s belly and starts teaching her a Lamaze technique, causing her to panic and flee back to the castle, only to find that the seeds she had previously urinated on have sprouted, signaling her pregnancy.

Frustrated by Lila's immature behavior, the Aristocrat reminds her that she is a common widow without royal blood and thus should be stripped of her title. As a result, Lila faces a sentence of execution once her child is born; a boy will be raised in court, while a girl will face death. Distraught, Lila contemplates drowning herself and her unborn child in a lake. However, feeling the baby kick, she has a change of heart and swims away, seeking refuge in the witch's cabin, as her water breaks. Meanwhile, a maid informs the Aristocrat about Lila's escape.

In a haunting flashback, Lila reveals the dark truth of the king’s demise; she had poisoned his wine after he assaulted her, leading to her pregnancy. Shortly after this, the king collapsed and died. The Aristocrat soon finds Lila after she gives birth with the witch's help. They burn down the cabin, presumably killing the witch, and haul Lila and her child back to the castle. Regaining consciousness in a cell, she discovers that all the guards are dead, an unknown entity having liberated her. Making her way to the nursery, she encounters frightful maids as she retrieves her baby. Carrying her child to the guillotine, she hands the baby to a maid. In her thoughts, Lila envisions a life of love with her child and smiles at the fantasy, only to be abruptly executed.

Meanwhile, Lilith breaks free from the mirror once again, roaming the castle and surveying the corpses of the guards and the Aristocrat, who she likely killed. Picking up Lila's former crown, she contemplates its significance before departing the palace.

Last updated: September 18, 2026 at 08:59

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Plot questions answered

If I Can’t Have Love, I Want Power Plot Explained: Your Questions Answered

The questions people ask most about If I Can’t Have Love, I Want Power (2021): what happens in the confusing scenes, why the characters do what they do, the twists, hidden details and what the ending means. Each answer contains spoilers.

Q1

Who is Lilith and why does she appear in the mirror?

Lilith is a dark, independent entity that inhabits Lila's reflection and acts on her behalf when she cannot act herself. She emerges during moments when Lila is vulnerable or restrained, embodying the rage Lila suppresses against the abusive king and the hostile court. By the end of the film, Lilith is revealed to be the physical force that slaughters the guards and the Aristocrat, completing the violence Lila could never openly commit.

Foreshadowing: The very first mirror encounter establishes that Lila's reflection moves on its own, hinting that Lilith is not a hallucination but a separate being waiting to be unleashed.

  • lilith
  • mirror reflection
  • suppressed rage
  • dark entity
  • duality
Q2

Why did Lila poison the king?

Lila poisoned the king's wine after he physically and sexually assaulted her, which is the same assault that resulted in her pregnancy. The poisoning is shown in a flashback near the end of the film, reframing his sudden death as an act of desperate self-defense rather than a natural passing. Her satisfaction upon learning of his death is rooted in the relief of escaping an abuser.

Foreshadowing: Early in the story, Lila shows the Matriarch and Aristocrat a bruise from the king, quietly establishing the abuse that will later be revealed as her motive for murder.

  • king's death
  • poisoning
  • assault
  • abuse
  • motive
Q3

Why does the Aristocrat want Lila executed?

The Aristocrat strips Lila of her royal status because she is a commoner who married into the throne and has no royal bloodline of her own. With the king dead and no legitimate heir yet born, her position is treated as illegitimate, making her expendable. The Aristocrat uses this power vacuum to push for her death, framing it as legal justice.

Foreshadowing: The court earlier debates Lila's lineage, planting the doubt about her bloodline that the Aristocrat later weaponizes.

  • execution
  • aristocrat
  • commoner
  • royal blood
  • succession
Q4

What is the rule about Lila's baby being a boy or a girl?

The court decree states that if Lila gives birth to a boy, the child will be raised in court and used to continue the royal line, while a girl will be killed because she carries no political value to the Aristocrat. This ruling is what ultimately drives Lila to attempt suicide rather than surrender her child to that fate. The rule highlights how the court views both Lila and her offspring as instruments of power rather than people.

  • baby
  • boy or girl
  • royal heir
  • court decree
  • execution order
Q5

How does Lila test for pregnancy using seeds?

After waking from a nightmare in which Lilith stabs her in the abdomen, Lila urinates on a handful of seeds as a folk pregnancy test and waits to see if they sprout. When the seeds begin to grow shortly after, she confirms she is carrying the king's child. The method is presented as old-world superstition, fitting the medieval, gothic setting of the film.

Foreshadowing: The stabbing nightmare itself is a symbolic premonition of the pregnancy, since Lilith attacks her stomach before she even knows she is with child.

  • pregnancy test
  • seeds
  • superstition
  • folk medicine
  • gothic setting
Q6

How does Lila end up free in a castle full of dead guards?

After Lila is locked in a cell following the birth of her child, Lilith breaks free from the mirror and massacres the guards and the Aristocrat who imprisoned her. Lila wakes to find every guard dead, with no explanation, and is able to walk freely to the nursery to retrieve her baby. The slaughter is Lilith's final act of liberation, clearing the path for Lila's last moments with her child before the execution.

Foreshadowing: Lilith's earlier stabbing nightmare and the haunting visions of her hands on Lila's stomach preview the violent role she will eventually play.

  • guards killed
  • lilith escapes
  • castle massacre
  • liberation
Q7

What happens to Lila's baby after she is executed?

Before her beheading, Lila carries her child to the guillotine and hands the baby to a maid, entrusting someone else with the child's survival. The film does not show what ultimately becomes of the infant, leaving the outcome ambiguous. What is clear is that Lila refuses to let her child die at the guillotine beside her and chooses one final act of love before her death.

  • lila's baby
  • guillotine
  • maid
  • child fate
  • beheading
Q8

Why does Lila try to drown herself and her baby in the lake?

After learning she will be executed regardless of her child's fate, Lila breaks down and walks into a lake intending to take both their lives rather than surrender her baby to the court. The moment she feels the baby kick, her maternal instinct overrides her despair and she swims back to shore, choosing to fight for the child instead. This near-drowning is the turning point that leads her to seek out the witch's cabin for help.

Foreshadowing: Earlier attempts to feel the baby, like pressing on her stomach after the nightmare, show Lila already wrestling with maternal feeling before the lake scene.

  • lake
  • drowning
  • suicide attempt
  • maternal instinct
  • baby kick
Q9

What does the ending with Lilith taking the crown mean?

The final scene shows Lilith walking through the blood-soaked castle, surveying the bodies of the guards and the Aristocrat, and picking up Lila's crown before leaving. This imagery frames Lilith as the true successor to Lila's suppressed rage, ascending to power only after the woman she protected has been destroyed. The bleak ending suggests that liberation for Lila came only through annihilation, with her dark counterpart inheriting a throne built on violence.

Foreshadowing: Lilith's first appearance as a separate reflection foreshadows her eventual independence from Lila, and each violent act in the mirror prefigures the final takeover.

  • ending explained
  • lilith crown
  • throne
  • bleak ending
  • tragic fate
Q10

Why does the Aristocrat burn down the witch's cabin?

The Aristocrat burns the witch's cabin after tracking Lila there, killing the witch who helped deliver Lila's baby and eliminating the one person who had aided the queen outside the court's control. Burning the cabin also destroys any evidence of Lila's brief escape and removes the only ally she might have relied on. The act is both retribution against the witch and a demonstration of the Aristocrat's ruthless control over Lila's fate.

Foreshadowing: The Aristocrat's earlier insistence that Lila be stripped of royal status foreshadows his willingness to use lethal force to enforce his authority.

  • witch cabin
  • burned down
  • aristocrat
  • witch killed
  • retribution
Q11

Is Lila actually dead at the end of the film?

Lila is unequivocally executed by guillotine at the end of the film, shown moments after she envisions a loving future with her child. The beheading is portrayed as real and final, with no resurrection or implied survival. Her death is what allows Lilith to fully emerge and take the crown, suggesting the two were always bound together as one being split between restraint and rage.

Foreshadowing: The mirror motif throughout the film, where Lilith acts out what Lila cannot, foreshadows that Lila's physical death is the price for Lilith's complete freedom.

  • lila death
  • guillotine
  • beheading
  • lilith takes over
  • final scene
Q12

What happens to Lila at the bathhouse?

Lila goes to the bathhouse seeking calm, but her reflection continues to show Lilith in a menacing way, terrifying her into fleeing. The bathhouse scene functions as one of several atmospheric breaks where the horror is psychological rather than physical, showing how Lilith's presence is inescapable. It marks the point where Lila can no longer find peace in any space within the castle.

  • bathhouse
  • reflection
  • lilith
  • psychological horror
  • panic

Movie threads

More Movies Like If I Can’t Have Love, I Want Power, by Mood & Story

Curated lists built around what makes If I Can’t Have Love, I Want Power tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Dark mirror duality and fractured identity like in If I Can't Have Love, I Want Power

Stories where a hidden, darker self rises to consume the fragile one trying to hold it together. Movies and visual experiences like If I Can't Have Love, I Want Power that center on a protagonist split between a controlled self and a monstrous reflection. If you liked the Lila and Lilith duality in Halsey's gothic visual album, you'll find similar films exploring fractured identity, suppressed rage, and the terrifying moment when the darker self takes over.

  • fractured identity
  • dark mirror
  • duality
  • suppressed rage
  • gothic horror
  • psychological
  • Tone: dark, brooding, gothic
  • Pacing: variable, with sudden violent bursts
Why these movies?

The story pattern: These stories begin with a protagonist whose outward compliance hides an inner fracture. A triggering event, often violence or oppression, awakens the darker half who has been waiting in the wings. The narrative tracks the escalating tension between restraint and release, the visible self and the hidden one. Climaxes tend to be visceral and often tragic, with the darker self either consuming the original, merging with it, or fully taking over, leaving little room for tidy redemption.

Why they belong together: They share a psychological intensity grounded in duality, where the central conflict is internal as much as external. Pacing is often variable, alternating quiet, atmospheric scenes with sudden bursts of violence. Tone is overwhelmingly dark and oppressive, with heavy emotional weight. Endings tend to be bleak, reflecting that the cost of becoming whole is often destruction.

Bleak gothic rebellion against patriarchal power like in If I Can't Have Love, I Want Power

Gothic, regal worlds where women fight brutal systems of power and pay in blood. Dark fantasy and historical films like If I Can't Have Love, I Want Power that place women inside brutal regal systems and trace their fight for autonomy. If you liked Halsey's operatic visual album about a queen resisting patriarchal violence, you'll find similar movies exploring female rebellion, motherhood under duress, and the blood-soaked cost of liberation.

  • gothic regal
  • patriarchal violence
  • female rebellion
  • motherhood under duress
  • oppressive court
  • operatic tragedy
  • Tone: dark, bleak, operatic
  • Pacing: variable, ritualistic with bursts of violence
Why these movies?

The story pattern: A young woman, often pregnant or facing the threat of motherhood under coercion, occupies a throne or station she barely controls. Surrounding her are scheming courtiers, a violent or manipulative partner, and rituals that reinforce her subjugation. The narrative builds through small acts of defiance and atmospheric dread, escalating into a violent climax where the protagonist either dies, loses everything, or becomes the very monster she fought. Endings are bleak, with liberation framed as destruction rather than triumph.

Why they belong together: They share a gothic, regal visual language and an unflinching focus on gendered violence and power. Pacing varies between slow, ritualistic scenes and sudden eruptions of cruelty. Tone is dark, oppressive, and brooding, with heavy emotional weight driven by themes of motherhood, bodily autonomy, and survival. The endings lean bleak or tragic, refusing easy hope.

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