If I Can’t Have Love, I Want Power

If I Can’t Have Love, I Want Power

Year: 2021

Runtime: 53 mins

Language: English

Director: Colin Tilley

Echo Score: 68
MusicFantasy

This evocative film experience accompanies Halsey's fourth studio album, produced by Trent Reznor and Atticus Ross. Halsey stars as Queen Lila, a young and pregnant ruler struggling against the controlling and manipulative forces of love. The film explores themes of power, control, and the complexities of relationships in a visually striking and emotionally charged narrative. It’s a temporary state, and Lila must navigate her position with care.

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If I Can’t Have Love, I Want Power (2021) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of If I Can’t Have Love, I Want Power (2021), including all key story events, major twists, and the ending explained in detail. Discover what really happened, and what it all means.

Lila, a young queen, returns to her castle and finds that the king is dead. She then stares into a mirror and finds that her reflection is a separate entity, Lilith, and dashes out to the balcony after Lilith unsettles the court members. The court members discuss what to do with Lila while revisiting a family tree. The film then cuts to Lila being prepared to take the king’s duties as she sits on her throne; bored and a bit vainglorious, she abandons this and walks out to the balcony again and witnesses a strange fiery light. The kingdom then gathers to mourn the king’s death, while Lila felt contented about it. She then shows a bruise to the Matriarch and the Aristocrat, revealing that he physically assaulted her, in order to explain her contentment.

That night, Lilith comes forth from the mirror and stabs a sleeping Lila in the stomach. Awakening from a nightmare, Lila rushes to pull out seeds from a drawer and urinate on them to test if she is pregnant. She looks in the mirror, seeing Lilith’s hands rubbing her stomach, and grows unsettled. She then decides to go to a bathhouse to relax, but she flees in terror as her reflection continues to show Lilith creepily rubbing her stomach.

To celebrate the king’s death, Lila gathers her friends for a day out, becomes drunk and causes mayhem in the villages. She then tries to ride back to the castle before falling off her horse, and it runs away. A drunk Lila lonely wanders into the forest, and stumbles upon a witch’s cabin. The witch feels her stomach and begins teaching Lila a lamaze technique causing her to become frightened and run away, eventually finding her way back to the castle. Upon stumbling back to the bedroom, she found that the seeds she urinated on earlier had sprouted, upsetting her, as it means she is pregnant.

The Aristocrat, fed up with Lila’s selfish attitude, claims that given Lila is not of royal blood, she is a common widow and should not retain her title as Queen, especially considering what happened while she was drunk. Lila is sentenced to be executed after her child is born; if the child is a boy, it will be raised in the court, but if it is a girl, it will also be killed. An enraged Lila walks out to the lake to drown herself and her child, but as she felt it kicking her stomach, she changes her mind and swims through the lake to flee from the castle, trying to find the Witch’s cabin to give birth in a more safe area, as her water breaks. A maid then tells the Aristocrat that she witnessed Lila running away.

Lila flashes back to the night the king died, revealing that she had poisoned his wine and he raped and impregnated her, and the king collapsed to death just after that incident; the rape resulted in Lila’s pregnancy. The Aristocrat find Lila after she gives birth with the help of the witch. They burn down the cabin, presumably killing the witch, and throw Lila and her child onto a wagon back to the castle. She then wakes in a cell, which has been unlocked by an unknown person and finds out that all the guards are dead. She then makes her way to the nursery and the maids are frightened when she finds her baby. She carries the baby with her to the guillotine and gives it to the maid. She then thinks what would have been if she had been more loving and imagines a peaceful life with her child. Smiling at the thought of it, she is abruptly beheaded.

Lilith escapes from the mirror again. She wanders around the castle and looks over the dead bodies of the guards and Aristocrat, which she presumably killed. She picks up the crown that formerly belonged to Lila and observes it, before leaving the palace.

Last updated: September 03, 2026 at 01:17

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Dark mirror duality and fractured identity like in If I Can't Have Love, I Want Power

Stories where a hidden, darker self rises to consume the fragile one trying to hold it together.Movies and visual experiences like If I Can't Have Love, I Want Power that center on a protagonist split between a controlled self and a monstrous reflection. If you liked the Lila and Lilith duality in Halsey's gothic visual album, you'll find similar films exploring fractured identity, suppressed rage, and the terrifying moment when the darker self takes over.

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These stories begin with a protagonist whose outward compliance hides an inner fracture. A triggering event, often violence or oppression, awakens the darker half who has been waiting in the wings. The narrative tracks the escalating tension between restraint and release, the visible self and the hidden one. Climaxes tend to be visceral and often tragic, with the darker self either consuming the original, merging with it, or fully taking over, leaving little room for tidy redemption.

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Bleak gothic rebellion against patriarchal power like in If I Can't Have Love, I Want Power

Gothic, regal worlds where women fight brutal systems of power and pay in blood.Dark fantasy and historical films like If I Can't Have Love, I Want Power that place women inside brutal regal systems and trace their fight for autonomy. If you liked Halsey's operatic visual album about a queen resisting patriarchal violence, you'll find similar movies exploring female rebellion, motherhood under duress, and the blood-soaked cost of liberation.

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Narrative Summary

A young woman, often pregnant or facing the threat of motherhood under coercion, occupies a throne or station she barely controls. Surrounding her are scheming courtiers, a violent or manipulative partner, and rituals that reinforce her subjugation. The narrative builds through small acts of defiance and atmospheric dread, escalating into a violent climax where the protagonist either dies, loses everything, or becomes the very monster she fought. Endings are bleak, with liberation framed as destruction rather than triumph.

Why These Movies?

They share a gothic, regal visual language and an unflinching focus on gendered violence and power. Pacing varies between slow, ritualistic scenes and sudden eruptions of cruelty. Tone is dark, oppressive, and brooding, with heavy emotional weight driven by themes of motherhood, bodily autonomy, and survival. The endings lean bleak or tragic, refusing easy hope.

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