Ida

In the early 1960s, a wintry Poland frames a world of quiet monasteries and lingering shadows from a tumultuous past. The stark, snow‑covered landscape surrounding a convent feels both austere and intimate, its stone walls echoing centuries of prayer while the chill outside hints at stories that have not yet been spoken. The film’s tone is contemplative, moving between the solemn rhythm of religious life and the muted whispers of history that linger in the air.

Anna is a young novice on the cusp of taking her vows, raised as an orphan and steeped in the routines of the convent. Her life has been shaped by devotion, simplicity, and a yearning for belonging that seems just beyond her reach. When a sudden summons brings her face‑to‑face with a long‑forgotten family connection, she is forced to confront a hidden layer of her identity that challenges everything she thought she knew about herself and her future.

Across the road from the cloister lives Wanda, a weathered judge whose sharp wit and cynical outlook contrast sharply with the convent’s quiet piety. Haunted by her own struggles, she becomes the reluctant guide on a tentative pilgrimage that promises answers about lineage, faith, and the lingering echo of the Holocaust. Their uneasy partnership blends reverence with skepticism, creating a delicate dance of trust and tension as they navigate a world where personal history is tangled with the broader scars of a nation.

Together, the film explores the delicate balance between tradition and self‑discovery, inviting viewers to linger in the spaces between prayer and doubt. The muted palette, measured pacing, and nuanced performances evoke a sense of longing and possibility, suggesting that the journey toward truth may be as transformative as the destination itself.

Last Updated: August 10, 2025 at 05:33