I Start Counting

In a quiet English suburb where ordinary life hums beneath a current of unease, the story follows Wynne Kinch, a fourteen‑year‑old adopted girl navigating the fragile edge between adolescence and adulthood. She lives under the same roof as her charismatic, thirty‑two‑year‑old stepbrother George, whose presence ignites both admiration and a restless curiosity that colors her every thought. The film settles into a gently unsettling tone, blending the everyday rhythm of school and family with an undercurrent that suggests something darker may be lurking just out of sight.

Wynne spends much of her time drifting between the present and memories of the house she once shared with her birth family, a place that seems to hold the promise of a different life. These visits act as a mirror, reflecting her longing for belonging while sharpening the line between affection and doubt. The world feels both familiar and slightly off‑kilter, as ordinary settings—bathrooms, school corridors, playgrounds—take on a faintly ominous glow, hinting that the ordinary may conceal hidden layers.

Friendship adds another texture to Wynne’s world through her best friend Corinne, whose teasing about the stepbrother’s allure adds a playful yet uneasy dynamic. Social gatherings, like family picnics, become stages where underlying tensions surface, and small gestures take on amplified significance. The interactions are charged with a mix of adolescent yearning and an emerging sense that something is not quite right.

The film cultivates an atmosphere of quiet dread balanced with the tender hopes of a young girl dreaming of love and stability. As the narrative unfolds, the past and present intertwine, leaving Wynne to navigate a maze of emotions, suspicions, and the ever‑present question of whether the people she trusts can truly be trusted. The tone remains immersive, drawing the viewer into a world where the line between nightmare and reality is artfully blurred.

Last Updated: December 04, 2025 at 23:09