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Plot Summary

How Awful About Allan (1970) Plot Summary Explained

Release, runtime and language
1970 · 74 mins · English
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Directed by
Curtis Harrington
Starring
Joan Hackett, Anthony Perkins, Kent Smith, Robert H. Harris, Julie Harris, Billy Bowles

A tense psychological thriller that follows a tormented man released after an eight‑month stint in a mental hospital. He returns to live with his sister, only to discover a mysterious boarder has moved in. As unsettling events unfold, he begins to suspect the newcomer may be plotting his murder.

On this page (6)
  1. 1 Where to watch
  2. 2 What happens: full plot
  3. 3 Plot questions answered
  4. 4 Movie threads
  5. 5 Movies like How Awful About Allan
  6. 6 Every angle
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Full plot summary · contains spoilers

What Happens in How Awful About Allan: Full Plot Summary

The whole story of How Awful About Allan (1970) explained, from the opening scene to the final frame: every key event, every twist and what it all adds up to. Read it as a quick recap before the sequel, to check a scene you missed, or to finally understand what really happened.

Allan Colleigh has psychosomatic blindness after a fire that claimed his father, a renowned academic who punished him during childhood. That same blaze also left his sister, Katherine, scarred on her face. The accident happened when Allan had left cans of paint thinner near a heater, a mistake that would haunt him as he tries to rebuild his life.

Returning home after months in a mental hospital, Allan begins to re-acclimate to a world that feels both familiar and threatening. His sister Katherine has an ex-boyfriend who calls the house, and she also takes in a peculiar boarder who claims to suffer a throat injury and can only speak in a whisper. Allan grows increasingly wary of this mysterious lodger, and soon he starts hearing his name whispered and glimpsing a shadowy figure edging closer to him. He records these sensations and suspicions on a reel-to-reel tape in his bedroom, seeking something like proof or a defense against what could be real danger—or a dangerous illusion.

Olive, Olive, Allan’s fiancée before the fire, tries to reopen contact and support him as best she can. At first reluctant, Allan accepts a renewed interaction but asks Olive to keep a lookout for the silent lodger so he can describe him more clearly. The plan leads them on a trip into town; Olive drops books at the university library, leaving Allan alone in the car. In that moment, the whispers return, and his fear spirals into a desperate urge to escape, culminating in a crash when he tries to drive away.

As the tension deepens, the blurry whispering figure intensifies Allan’s paranoia. He endures further disturbances—episodes where the voice seems to lure him toward danger, and a moment in which he slashes his own skin in a startled reaction to a delivery boy at the kitchen window. Katherine presses him to seek psychiatric help again, while Olive reports seeing Katherine’s boyfriend in town, a claim Katherine denies. Allan remains convinced there is a conspiracy to send him back to the hospital, and his dreams grow darker, filled with recollections of his father’s punishment and a childhood spent hiding in a dark cupboard. In another nightmare, the whispering voice draws him toward a room that appears burnt, where the ceiling timbers collapse, and he wakes certain that the night’s events were real. The evidence seems to corroborate his fear when he finds a piece of burnt wood in the house.

A hospital call is placed, but the psychiatrist is away. Allan must take a cab to meet the doctor when he returns. The moment the cab arrives, Allan slips on the path, and the driver turns out to be Eric, Katherine’s boyfriend, who has a croaky whispering voice he attributes to a cold. Olive comes to help, guiding Allan back into the safety of the house. Later, Olive and Katherine speak privately; Katherine says she will send Allan back to the hospital the next morning, unable to endure the strain any longer. Allan, who had tried to convince Olive that there was a plot against him, discovers that the night’s whispered voice can be heard again on the tape—yet Olive is not present when it plays back. In a moment of rage or despair, Allan smashes the tape recorder to the floor.

The danger peaks when the whispering voice lures Allan into the kitchen pantry and the door locks behind him. A fire has been started inside, and Allan, grabbing flour to douse the flames, manages to break the door down and struggle with a shadowy attacker. As the mask behind the attacker comes off, Allan’s vision returns, and he recognizes his sister Katherine in the disguise. She confesses that she had the hideous scar removed but argues that the scar should have remained as a mark of Allan’s supposed crime against their father—the so-called murder of the greatest man who ever lived.

After a period of recovery, Allan returns home with Olive, who is preparing dinner and guiding him toward a semblance of normal life. He has started a music appreciation course and seems steadier, yet the past hints remain. A letter arrives, presumably from Katherine, who is now in a psychiatric facility, begging for release. Reading it unsettles him, and, as he contemplates the future, his vision darkens once more, plunging him into blindness again, leaving his fate and the truth of what happened between family members unresolved in a world still shadowed by fear and memory.

Last updated: October 05, 2025 at 12:09

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Plot questions answered

How Awful About Allan Plot Explained: Your Questions Answered

The questions people ask most about How Awful About Allan (1970): what happens in the confusing scenes, why the characters do what they do, the twists, hidden details and what the ending means. Each answer contains spoilers.

Q1

Why is Allan blind?

Allan suffers from psychosomatic blindness, a physical loss of vision with no organic cause. His blindness developed after the traumatic fire that killed his father. The fire occurred when Allan, as a child, left cans of paint thinner near a heater, an act that triggered the blaze and led to his father's death. This guilt-ridden trauma manifested as a psychosomatic response, causing him to lose his sight.

Foreshadowing: The film hints at his blindness being psychologically rooted through his nightmares about hiding in dark cupboards and his father's punishments.

  • psychomatic blindness
  • fire trauma
  • allan colleigh
  • guilt
Q2

Why does Katherine attack Allan in the pantry?

Katherine orchestrates the entire campaign against Allan because she blames him for their father's death. She disguised herself as the whispering boarder and set the fire in the pantry to either kill Allan or drive him further into madness. Katherine had even removed the facial scar she received from the fire, arguing it should have remained as permanent proof of Allan's crime, the death of 'the greatest man who ever lived.'

Foreshadowing: Katherine's constant pressure to have Allan institutionalized and her denial of seeing her ex-boyfriend foreshadow her personal vendetta.

  • katherine
  • attack
  • pantry
  • confrontation
  • sibling rivalry
Q3

What happened to Allan's father in the fire?

Allan's father died in the fire that scarred Katherine and caused Allan's psychosomatic blindness. As a child, Allan accidentally started the fire by leaving paint thinner cans near a heater. His father, described as a renowned academic who punished Allan harshly during childhood, perished in the blaze. The tragedy became the foundation of the family's collective trauma and Allan's profound guilt.

Foreshadowing: Allan's recurring nightmares about his father's punishments and the dark cupboard hint at the abusive dynamics that shaped the family.

  • father death
  • fire
  • paint thinner
  • killing
Q4

Who is the whispering boarder?

The whispering boarder is actually Katherine in disguise. She fabricated a throat injury to explain why she could only speak in whispers, allowing her to roam Allan's house unseen while terrorizing him with whispered threats. This elaborate scheme was designed to convince Allan he was losing his mind, providing Katherine with justification to have him committed back to the psychiatric hospital.

Foreshadowing: The boarder's arrival immediately after Katherine takes him in, combined with Allan's suspicion that someone in the house wants him institutionalized, sets up the reveal.

  • boarder
  • katherine
  • whisper
  • disguise
  • plot
Q5

Why does Katherine want Allan sent back to the hospital?

Katherine wants Allan permanently institutionalized because she blames him for their father's death and views his presence as an unbearable reminder of her trauma. After years of caring for him, she reaches her breaking point and tells Olive she will send Allan back to the hospital the next morning. Her plan is to finally be free of the brother she holds responsible for destroying their family.

Foreshadowing: Katherine's persistent pressure for Allan to seek psychiatric help again, combined with her refusal to acknowledge her own boyfriend's presence, reveals her growing desperation.

  • hospital
  • psychiatric
  • katherine
  • institution
Q6

Why does Allan smash the tape recorder?

Allan destroys the tape recorder in a moment of rage and despair after discovering that the whispered voice, his primary evidence of the conspiracy against him, can be heard on the tape even when Olive is not in the room. This proves the voice exists but also suggests his recordings may be unreliable or manipulated. The destruction represents his final attempt to hold onto concrete evidence being shattered by his own doubt and frustration.

Foreshadowing: Allan's recordings throughout the film build toward this moment of reckoning with the reliability of his own perceptions.

  • tape recorder
  • whisper
  • evidence
  • frustration
Q7

Why does Allan go blind again at the end?

Allan's psychosomatic blindness returns after he receives a letter from Katherine, who is now institutionalized in a psychiatric facility, begging him for help to secure her release. The letter triggers a psychological relapse, demonstrating that his condition remains deeply tied to his unresolved guilt and family trauma. The cycle of trauma between the siblings continues, leaving Allan's recovery fragile and uncertain.

Foreshadowing: The brief normalcy of his music appreciation course and dinner with Olive is undercut by hints that the past remains unresolved.

  • relapse
  • blindness
  • letter
  • katherine
  • psychomatic
Q8

What is Allan's relationship with Olive?

Olive is Allan's former fiancée who tries to renew their relationship after his release from the mental hospital. She genuinely wants to help Allan recover, asking her to watch for the mysterious lodger. However, their relationship is complicated by Allan's paranoia and his inability to fully trust anyone. Despite this, Olive remains supportive and helps Allan after the cab accident, though she eventually sides with Katherine's plan to have him institutionalized.

Foreshadowing: Olive's attempts to reconnect and her role as a mediator between Allan and Katherine establish her as a figure of potential salvation or betrayal.

  • olive
  • fiancee
  • relationship
  • support
Q9

Why did Katherine remove her facial scar?

Katherine had the facial scar from the fire surgically removed because she viewed it as a symbol of her martyrdom, a visible mark proving Allan's guilt for their father's death. She believed the scar should have remained as permanent evidence of Allan's crime. Removing it represents her rejection of the narrative that she was merely a victim and her transformation into an aggressor willing to punish Allan herself.

Foreshadowing: Katherine's obsession with Allan's culpability and her refusal to discuss the fire openly foreshadow her extreme measures.

  • scar
  • facical scar
  • katherine
  • removal
  • fire
Q10

Why does Allan slash his own arm?

Allan slashes his own arm in a startled reaction when a delivery boy appears at the kitchen window. His extreme response reflects his heightened paranoia and fragile mental state. The incident further convinces Katherine that Allan is unstable and needs to be returned to psychiatric care. This self-harm moment demonstrates how his fear has escalated to the point of physical self-destruction.

Foreshadowing: The attack occurs during one of Allan's paranoid episodes following the whispers and escalating disturbances in the house.

  • self harm
  • delivery boy
  • arm
  • panic
Q11

Why does Allan crash the car in town?

While alone in the car outside the university library, Allan hears the whispered voice again and panics, believing he is being hunted or manipulated. In his desperate attempt to escape, he tries to drive away but crashes the car. This incident intensifies his paranoia and reinforces his belief that someone is deliberately tormenting him.

Foreshadowing: The crash follows Olive's refusal to continue investigating the lodger directly, leaving Allan isolated and vulnerable.

  • car crash
  • panic
  • whisper
  • escape
Q12

Who is Eric in the story?

Eric is Katherine's boyfriend who works as a cab driver. When Allan needs to travel to meet his psychiatrist, Eric arrives as the cab driver, but his croaky whispering voice, which he attributes to a cold, triggers Allan's intense paranoia. Allan immediately suspects Eric of being the whispering figure, though Eric is ultimately not the disguised boarder. Eric's involvement represents another instance where Allan cannot distinguish between real threats and his own psychological distortions.

Foreshadowing: Eric's presence is foreshadowed by Olive's claim to have seen Katherine's boyfriend in town, which Katherine denied.

  • eric
  • cab driver
  • katherine
  • boyfriend
  • whisper

Movie threads

More Movies Like How Awful About Allan, by Mood & Story

Curated lists built around what makes How Awful About Allan tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Psychological thrillers with unreliable narrators like How Awful About Allan

Thrillers where the protagonist's fractured perception traps you in their fear. If you liked the paranoid perspective and psychological dread of How Awful About Allan, you'll find more movies like it here. These stories use unreliable narrators to create intense, claustrophobic thrillers where the line between real danger and mental anguish is blurred, keeping viewers in a state of anxious uncertainty.

  • unreliable narrator
  • paranoid
  • claustrophobic
  • psychological
  • uneasy
  • ambiguous threat
  • Tone: tense, paranoid, unsettling
  • Pacing: slow, deliberate
Why these movies?

The story pattern: Narratives in this thread typically follow a psychologically vulnerable protagonist who perceives a threat that may or may not be real. The plot unfolds from their limited or distorted point of view, creating a deep sense of ambiguity. The central conflict is often internal as much as external, as the character battles their own mind while facing a potential external danger.

Why they belong together: Movies are grouped here because they share a core narrative device: trapping the audience within an unreliable protagonist's subjective experience. This creates a specific, intense viewing experience defined by psychological unease, constant doubt, and a feeling of being as lost and paranoid as the main character.

Slow burn thrillers where home turns sinister like How Awful About Allan

Stories where a familiar setting turns into a source of creeping terror. For viewers who enjoyed the oppressive atmosphere and domestic unease of How Awful About Allan, this section collects similar movies. These slow burn thrillers focus on a home or family setting that gradually becomes a source of fear, blending psychological horror with a tangible sense of encroaching danger within a confined space.

  • slow burn
  • domestic thriller
  • oppressive
  • sinister home
  • family secrets
  • creeping dread
  • Tone: oppressive, tense, bleak
  • Pacing: slow burn, methodical
Why these movies?

The story pattern: The narrative pattern involves a character returning to or residing in a home that becomes increasingly threatening. The threat often stems from a new presence (a person, a secret, or a past trauma resurfacing) within the household. The story builds tension not with jump scares, but with a growing, oppressive sense that the sanctuary of home has been violated, leading to an eruption of psychological or physical violence.

Why they belong together: These movies are grouped together because they master the art of slow-burning tension within a domestic context. They share a specific mood of oppressive dread, a pacing that lets fear simmer, and a central theme of the home as a psychological battleground, making the familiar feel deeply unfamiliar and dangerous.

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