Hail Mary

In a modest Swiss town where a family‑run gas station doubles as a quiet backdrop for daily life, Marie balances school, basketball and the expectations of a traditional upbringing while insisting on a wholly chaste relationship with her boyfriend. Her devotion is matched by Joseph, a taxi driver who has abandoned his own studies, yet remains fiercely loyal even as their intimacy stalls. The arrival of Uncle Gabriel, flying in on a private jet with a young secretary in tow, introduces an unsettling certainty: Marie will become pregnant despite her vows, setting a subtle, almost reverent tension that ripples through the close‑knit community.

The film moves between the ordinary and the enigmatic, coloring routine moments—shifts at the gas pump, late‑night drives, the rhythm of a basketball court—with a dream‑like meditation on fertility, faith and the body’s mysteries. Gabriel’s presence brings an austere, almost didactic energy, urging Joseph to reconcile his doubts and inviting Marie into a contemplative practice that blends anger, elemental imagery and a search for divine meaning. Their interactions hint at a larger spiritual current without spelling out any overt answers, keeping the audience hovering between curiosity and awe.

Parallel to this intimate drama, Eva, another college student, finds herself drawn into the orbit of a charismatic professor who proposes that life on Earth may have been guided by an extraterrestrial intelligence. Their intellectual flirtation opens a contrasting space where academic inquiry and personal longing intersect, reflecting the film’s broader meditation on how belief—whether rooted in science or spirituality—can shape desire and identity. Through these intertwined threads, the story builds a tone that is both grounded in everyday textures and elevated by a quiet, lingering sense of wonder.

Last Updated: December 04, 2025 at 15:58