Jesse, Allan Arbus with no memory, parachutes into a frontier town run by Seaweedhead Greaser, Albert Henderson a tyrant who squeezes every penny from the locals, enforces heavy taxes, and keeps his mother and his beloved mariachi band in cages while wrestling with a chronic constipation. The unexpected arrival unsettles the town, and the rumor mill spins around this enigmatic visitor who seems oddly destined for something bigger. The town itself feels trapped under Greaser’s iron fist, yet a curious energy lingers as Jesse drifts through alleys, saloons, and dusty streets with a strange sense of purpose.
Jesse’s past is a blank slate, but his path is shaped by Morris, a talent agent who tells people that Jesse is headed for Jerusalem to become a singer, dancer, and actor. This plan of a bright future contrasts with the brutal reality of Greaser’s regime, and Jesse’s presence begins to tilt the balance of power in a town that guards its secrets as closely as its taxes. The town’s shadows deepen as Jesse encounters the strange economics of Greaser’s world—where performance can be both spectacle and salvation, and where a man’s fate is tangled with the profits and peculiarities of a saloon-driven economy.
Greaser’s grip tightens when he murders his son, Lamy Homo Greaser, Michael Sullivan, for being homosexual, and in a moment that defies the natural order, Jesse resurrects the dead man. This miracle draws crowds and fuels controversy in equal measure, casting Jesse not just as a performer but as a kind of living legend who can bend life and death to his will. As Jesse heals the sick, he also taps-dances on water, a surreal display that stuns patrons and unsettles Greaser, who begins to see the potential of Jesse’s talents to revive his sagging enterprise. The saloon’s fortunes rise and fall with the crowd, and the spectacle becomes a test of whether salvation can be sold in a town where power is measured in tips, tickets, and the width of a stage.
Meanwhile, Cholera, Luana Anders, Greaser’s daughter, struggles with waning performances that threaten the family business. In a bid to restore the limelight and cash flow, Greaser hires Jesse to sing and dance at the saloon, gambling on the idea that magic on stage can translate into real power offstage. Jesse’s act culminates in a moment of bleeding stigmata from his hands, a dramatic symbol that electrifies the crowd and divides opinion among the town’s residents and outsiders alike. The audience’s love for the spectacle sits at odds with a professional appraisal that questions whether miracles belong in a saloon.
A relationship develops with a woman, Elsie Downey, who becomes a pivotal figure in Jesse’s arc. She ultimately crucifies him in a ritual of sacrifice, a move that releases a brutal, haunting possibility: the resurrection of her own son, Robert Downey Jr.. The son, killed by Indians, materializes again through Jesse’s power, a reversal that binds love, revenge, and the supernatural in a single, fevered moment. The town and its players are left to reckon with the consequences of resurrecting the past, the price of talent, and the fragility of life in a world where a single performance can rewrite what is real.
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