Year: 1980
Runtime: 140 mins
Language: Italian
Director: Federico Fellini
The charismatic Snaporaz meets an alluring woman on a train and chases her into a forest, only to arrive at a hotel where a feminist conference convenes. Unwelcome among the all‑female guests, the bewildered Snaporaz soon realizes he has entered a phantasmagoric, surreal realm where women have seized power.
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Snàporaz, Marcello Mastroianni, wakes up during a train ride and has a brief fling with a mysterious woman in the bathroom, but it is cut short when the train suddenly stops at Fregene and the woman gets off. Snàporaz follows her through a forest and into a hotel overrun with women attending a surrealistic feminist convention. He winds up in a conference about polyandry, where his presence is rejected. A frightened Snàporaz retreats to the hotel lobby, but the exit is blocked; instead, he seeks refuge inside an elevator with a young woman, Donatella Damiani, who offers her assistance.
Donatella leads Snàporaz into a gymnasium and forces him to don roller skates. He is cornered and berated by a group of angry women who circle around him on skates and practice testicle-kicking with a dummy. Dazed, Snàporaz makes his exit down a flight of stairs, falls and hurts himself, and ends up in the domain of a burly woman tending to the hotel’s furnace. The woman offers him a ride to the train station on her motorcycle, but stops by a farm and lures Snàporaz into a nursery, where she tries to rape him. They are interrupted by the woman’s mother, who chastises her daughter. Snàporaz escapes and follows a lonely woman through the countryside. He joins her and her girlfriends in a car ride, driven toward the station, but the journey lasts well into the night, the women smoking marijuana and blasting Italo disco. A frustrated Snàporaz ditches the group only to be harassed by others.
He finally finds shelter at the mansion of Dr. Xavier Katzone, Ettore Manni, who shoots at his persecutors. Dr. Katzone promises to deliver Snàporaz to the train station in the morning and invites him to stay for a party. The house is a carnival of sexual imagery and phallic sculptures, while Katzone shows a wall of photos chronicling his conquests—the pictures light up and murmur arousing dialogue.
During the party, Snàporaz runs into his ex-wife Elena, Anna Prucnal, who has a drunken argument with him, and he also encounters Donatella again. The police, composed entirely of women dressed in Nazi-like uniforms, arrive and interrupt Katzone’s revelry, announcing the demolition of his house. They inform him that his beloved dog Italo has been shot, a grief that he must endure. Meanwhile, Snàporaz dances to a Fred Astaire song with Donatella and a friend of hers, but he fails to sleep with either partner, ending up in bed with his ex-wife instead.
Strange noises pull him into a dreamlike sequence: he crawls under the bed and slides down a magical toboggan that revisits his childhood crushes—a sitter, a nurse, and a prostitute—until he is somehow transported before a bizarre court that judges him for his masculinity. He is dismissed and set free, ascending into a towering boxing ring before a female crowd. At the top of the ring, he boards a hot-air balloon fashioned as Donatella. Donatella fires from below with a machine gun, puncturing the balloon and sending Snàporaz crashing down.
Snàporaz wakes up on the very same train, Elena across the way, suggesting the entire sequence was only a nightmare. He also notices his glasses are broken, mirroring his dream, just as the mysterious woman and Donatella reappear and sit beside him. Elena and the mysterious woman exchange knowing smiles as the train races into a tunnel.
Last Updated: October 09, 2025 at 14:59
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Illogical and fantastical voyages through dreamlike worlds that critique society.Discover films with dreamlike logic and biting social commentary. If you enjoyed the bizarre, surreal world and feminist critique of City of Women, you'll find similar movies here that use fantasy and satire to explore complex themes.
Narratives in this thread unfold as episodic journeys through a symbolic landscape, guided by dream logic rather than cause and effect. The protagonist is often a bewildered observer navigating a series of absurd or grotesque encounters that collectively build a thematic argument.
These films are grouped by their shared commitment to a surreal, non-linear structure and a satirical tone. They prioritize mood, conceptual exploration, and visual invention over conventional storytelling, creating a uniquely disorienting and intellectually playful experience.
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Stories typically place a character, often representing a conventional viewpoint, into an inverted or exaggerated social structure. The narrative conflict arises from their struggle to adapt, serving as a catalyst for a humorous and thought-provoking critique of established norms.
They share a central thematic focus on deconstructing gender roles and power structures, executed with a mix of high humor and intellectual satire. The tone balances whimsy with pointed commentary, creating an experience that is both entertaining and provocative.
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Discover the characters, locations, and core themes that shape City of Women. Get insights into symbolic elements, setting significance, and deeper narrative meaning — ideal for thematic analysis and movie breakdowns.
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