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City of Women (1980) movie poster

Plot Summary

City of Women (1980) Plot Summary Explained

Release, runtime and language
1980 · 140 mins · Italian
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Directed by
Federico Fellini
Starring
Marcello Mastroianni, Anna Bonaiuto, Dominique Labourier, Mirella D'Angelo, Bernice Stegers, Franco Diogene

The charismatic Snaporaz meets an alluring woman on a train and chases her into a forest, only to arrive at a hotel where a feminist conference convenes. Unwelcome among the all‑female guests, the bewildered Snaporaz soon realizes he has entered a phantasmagoric, surreal realm where women have seized power.

On this page (6)
  1. 1 Where to watch
  2. 2 What happens: full plot
  3. 3 Plot questions answered
  4. 4 Movie threads
  5. 5 Movies like City of Women
  6. 6 Every angle
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Full plot summary · contains spoilers

What Happens in City of Women: Full Plot Summary

The whole story of City of Women (1980) explained, from the opening scene to the final frame: every key event, every twist and what it all adds up to. Read it as a quick recap before the sequel, to check a scene you missed, or to finally understand what really happened.

Snàporaz, Marcello Mastroianni, wakes up during a train ride and has a brief fling with a mysterious woman in the bathroom, but it is cut short when the train suddenly stops at Fregene and the woman gets off. Snàporaz follows her through a forest and into a hotel overrun with women attending a surrealistic feminist convention. He winds up in a conference about polyandry, where his presence is rejected. A frightened Snàporaz retreats to the hotel lobby, but the exit is blocked; instead, he seeks refuge inside an elevator with a young woman, Donatella Damiani, who offers her assistance.

Donatella leads Snàporaz into a gymnasium and forces him to don roller skates. He is cornered and berated by a group of angry women who circle around him on skates and practice testicle-kicking with a dummy. Dazed, Snàporaz makes his exit down a flight of stairs, falls and hurts himself, and ends up in the domain of a burly woman tending to the hotel’s furnace. The woman offers him a ride to the train station on her motorcycle, but stops by a farm and lures Snàporaz into a nursery, where she tries to rape him. They are interrupted by the woman's mother, who chastises her daughter. Snàporaz escapes and follows a lonely woman through the countryside. He joins her and her girlfriends in a car ride, driven toward the station, but the journey lasts well into the night, the women smoking marijuana and blasting Italo disco. A frustrated Snàporaz ditches the group only to be harassed by others.

He finally finds shelter at the mansion of Dr. Xavier Katzone, Ettore Manni, who shoots at his persecutors. Dr. Katzone promises to deliver Snàporaz to the train station in the morning and invites him to stay for a party. The house is a carnival of sexual imagery and phallic sculptures, while Katzone shows a wall of photos chronicling his conquests—the pictures light up and murmur arousing dialogue.

During the party, Snàporaz runs into his ex-wife Elena, Anna Prucnal, who has a drunken argument with him, and he also encounters Donatella again. The police, composed entirely of women dressed in Nazi-like uniforms, arrive and interrupt Katzone’s revelry, announcing the demolition of his house. They inform him that his beloved dog Italo has been shot, a grief that he must endure. Meanwhile, Snàporaz dances to a Fred Astaire song with Donatella and a friend of hers, but he fails to sleep with either partner, ending up in bed with his ex-wife instead.

Strange noises pull him into a dreamlike sequence: he crawls under the bed and slides down a magical toboggan that revisits his childhood crushes—a sitter, a nurse, and a prostitute—until he is somehow transported before a bizarre court that judges him for his masculinity. He is dismissed and set free, ascending into a towering boxing ring before a female crowd. At the top of the ring, he boards a hot-air balloon fashioned as Donatella. Donatella fires from below with a machine gun, puncturing the balloon and sending Snàporaz crashing down.

Snàporaz wakes up on the very same train, Elena across the way, suggesting the entire sequence was only a nightmare. He also notices his glasses are broken, mirroring his dream, just as the mysterious woman and Donatella reappear and sit beside him. Elena and the mysterious woman exchange knowing smiles as the train races into a tunnel.

Last updated: October 09, 2025 at 14:59

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Plot questions answered

City of Women Plot Explained: Your Questions Answered

The questions people ask most about City of Women (1980): what happens in the confusing scenes, why the characters do what they do, the twists, hidden details and what the ending means. Each answer contains spoilers.

Q1

Why does Snàporaz follow the woman off the train?

Snàporaz follows the mysterious woman because he was captivated by their brief encounter in the train bathroom. When she suddenly gets off at Fregene, his curiosity and desire override any rational judgment, prompting him to chase after her into the forest. This impulsive decision traps him in the surreal feminist world for the rest of the night.

Foreshadowing: Earlier on the train, Snàporaz wakes from sleep in a daze, already disoriented, setting up his vulnerable state when he encounters the woman.

  • snàporaz
  • woman
  • train
  • fregene
  • forest
  • follows
Q2

Why is Snàporaz rejected at the feminist conference?

Snàporaz is rejected because he is the only man at a women's-only conference discussing polyandry. The attendees view his presence as an intrusion and an unwelcome reminder of the patriarchal system they are critiquing. The women openly ridicule him, forcing him to leave the conference room in confusion and isolation.

Foreshadowing: The moment he enters the hotel, Snàporaz is surrounded by women who regard him with suspicion and hostility.

  • conference
  • polyandry
  • rejected
  • women
  • snàporaz
  • hotel
Q3

What does the roller skating initiation scene mean?

Donatella forces Snàporaz to wear roller skates while a circle of angry women skate around him practicing testicle-kicks on a dummy. This surreal scene functions as a symbolic ritual of female power and a direct attack on Snàporaz's masculinity. It represents his vulnerability in a world where traditional gender hierarchies have been completely reversed.

Foreshadowing: Donatella appeared helpful in the elevator, but her true intent becomes clear when she leads him to the gymnasium.

  • donatella
  • roller skates
  • testicle
  • dummy
  • women
  • masculinity
Q4

Why does the furnace woman try to rape Snàporaz at the farm?

After offering Snàporaz a motorcycle ride, the burly woman detours to a farm and attempts to rape him in a nursery. This scene continues the film's theme of power reversal, where women now pursue and dominate men sexually. Her aggressive advance represents the inversion of traditional gender dynamics that defines the entire hotel world.

Foreshadowing: Earlier, Snàporaz was the pursuer chasing women; now he becomes the pursued.

  • furnace woman
  • rape
  • farm
  • nursery
  • snàporaz
  • power reversal
Q5

What is the significance of Dr. Katzone's mansion?

Dr. Katzone's mansion is filled with phallic sculptures and sexual imagery, representing extreme masculine vanity and obsession with conquest. The wall of photographs chronicling his 10,000 sexual conquests that whisper when lit up showcases his egomania. The mansion serves as a stark contrast to the feminist world, where men have objectified women, now turned into a grotesque display of male narcissism awaiting destruction.

Foreshadowing: Snàporaz sought shelter at Katzone's mansion after being chased through the night.

  • katzone
  • mansion
  • phallic
  • photographs
  • conquests
  • party
Q6

Why do the police kill Katzone's dog Italo?

The all-female police force, dressed in Nazi-like uniforms, raids Katzone's party and announces the demolition of his house. They also reveal they have shot his beloved dog Italo, leaving Katzone in grief. The dog killing symbolizes the complete dismantling of the male-dominated world Katzone represents, destroying something he loves most as an act of final domination.

Foreshadowing: Katzone fires at the women pursuing Snàporaz, suggesting violent conflict between genders.

  • italo
  • dog
  • killed
  • police
  • katzone
  • demolished
Q7

What does the dream sequence with the toboggan represent?

Inside the dream, Snàporaz crawls under the bed and slides down a magical toboggan revisiting childhood crushes, a sitter, a nurse, and a prostitute, before being judged by a bizarre court for his masculinity. This sequence explores his subconscious guilt and formative experiences with women. The toboggan functions as a descent into his psyche, revealing how his relationships with women throughout his life have shaped his current feelings of judgment and inadequacy.

Foreshadowing: Strange noises pull Snàporaz into the dream sequence right after sleeping with Elena.

  • dream
  • toboggan
  • childhood
  • court
  • masculinity
  • snàporaz
Q8

Why does Donatella shoot down the balloon at the end of the dream?

In the dream's climax, Snàporaz boards a hot-air balloon shaped like Donatella, only for the real Donatella to fire a machine gun from below, puncturing the balloon and sending him crashing down. This violent rejection symbolizes his ultimate expulsion from the female world, he is figuratively and literally shot down by the very woman he pursued throughout the night.

Foreshadowing: Donatella was both helpful and threatening throughout Snàporaz's journey.

  • balloon
  • donatella
  • shot
  • machine gun
  • dream
  • crash
Q9

Is the entire movie just a dream?

The film ends with Snàporaz waking up on the same train, suggesting the entire surreal narrative was a nightmare. However, the ending remains ambiguous, his broken glasses mirror the dream, and the mysterious woman and Donatella reappear and sit beside him, exchanging knowing smiles with his ex-wife Elena. This ambiguity blurs the line between dream and reality, leaving whether any of it actually happened unresolved.

Foreshadowing: The entire hotel sequence has a dreamlike, surreal quality from the start.

  • dream
  • nightmare
  • train
  • ending
  • ambiguous
  • reality
Q10

Who is the mysterious woman Snàporaz meets on the train?

The mysterious woman who initiates the entire story remains unnamed and largely unexplained. She seduces Snàporaz in the train bathroom, then deliberately gets off at Fregene, leading him into the forest and toward the surreal hotel. At the end, she returns and sits beside him on the train, sharing a knowing smile with Elena, suggesting she may be a symbolic figure rather than a real person, possibly an embodiment of the dream itself.

Foreshadowing: The woman appears at both the beginning and end, bookending the narrative.

  • mysterious woman
  • train
  • fregene
  • elena
  • donatella
  • symbolic
Q11

What do the broken glasses at the end signify?

When Snàporaz wakes on the train, he notices his glasses are broken, a detail that mirrors his dream experience when he was shot down from the balloon. The broken glasses symbolize distorted perception and the collapse of his normal worldview. Whether this confirms the dream was real or suggests his reality is now permanently altered remains intentionally unclear.

Foreshadowing: In the dream, Snàporaz falls from a great height when the balloon is punctured.

  • glasses
  • broken
  • dream
  • train
  • symbol
  • perception
Q12

Why are the police dressed in Nazi-like uniforms?

The all-female police force wears Nazi-style uniforms, combining historical fascism with gender power dynamics. This visual choice suggests that the female-dominated world has adopted oppressive tactics similar to totalitarian regimes. The uniforms also add to the film's surreal, nightmarish quality by mixing historical horror with fantastical gender reversal.

Foreshadowing: The police arrive at Katzone's party, signaling the violent climax of the narrative.

  • police
  • uniforms
  • nazi
  • women
  • raid
  • katzone
Q13

What does the train going into the tunnel at the end mean?

The film ends with the train racing into a dark tunnel as Elena, the mysterious woman, and Donatella share knowing smiles. The tunnel is a classic cinematic symbol of transition, rebirth, or entry into the unconscious. It suggests Snàporaz is about to re-enter the surreal world or that the boundary between his dream and reality has permanently collapsed.

Foreshadowing: The entire narrative begins and ends on the same train.

  • tunnel
  • train
  • ending
  • darkness
  • rebirth
  • cycle

Movie threads

More Movies Like City of Women, by Mood & Story

Curated lists built around what makes City of Women tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Surreal satirical dream journeys like in City of Women

Illogical and fantastical voyages through dreamlike worlds that critique society. Discover films with dreamlike logic and biting social commentary. If you enjoyed the bizarre, surreal world and feminist critique of City of Women, you'll find similar movies here that use fantasy and satire to explore complex themes.

  • surreal
  • dreamlike
  • satirical
  • disorienting
  • grotesque
  • fantastical
  • Tone: whimsical, satirical, anxious
  • Pacing: variable, dreamlike
Why these movies?

The story pattern: Narratives in this thread unfold as episodic journeys through a symbolic landscape, guided by dream logic rather than cause and effect. The protagonist is often a bewildered observer navigating a series of absurd or grotesque encounters that collectively build a thematic argument.

Why they belong together: These films are grouped by their shared commitment to a surreal, non-linear structure and a satirical tone. They prioritize mood, conceptual exploration, and visual invention over conventional storytelling, creating a uniquely disorienting and intellectually playful experience.

Satirical films about gender and power like City of Women

Witty and absurd examinations of social hierarchies and identity through a comedic lens. Explore movies that humorously and surreally tackle themes of feminism and masculinity. If you liked the sharp gender politics and satirical edge of City of Women, this list features similar comedies and fantasies with intellectual bite.

  • satirical
  • playful
  • thought-provoking
  • absurd
  • fantastical
  • witty
  • Tone: whimsical, satirical
  • Pacing: variable
Why these movies?

The story pattern: Stories typically place a character, often representing a conventional viewpoint, into an inverted or exaggerated social structure. The narrative conflict arises from their struggle to adapt, serving as a catalyst for a humorous and thought-provoking critique of established norms.

Why they belong together: They share a central thematic focus on deconstructing gender roles and power structures, executed with a mix of high humor and intellectual satire. The tone balances whimsy with pointed commentary, creating an experience that is both entertaining and provocative.

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Every angle

City of Women (1980) Explained: Plot, Timeline & Characters

Everything about City of Women in one place: what happens in the plot summary, the timeline in chronological order, the characters and meaning and a spoiler-free summary. What's After the Movie adds the cast, box office and post-credit scenes.

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