Drive My Car

The film opens with Yusuke Kafuku, a talented stage director, sharing a warm moment with his wife Oto. This moment highlights their deep love and aspirations for a collaborative artistic life together as they discuss a new play concept that excites them both.

During rehearsals for 'Waiting For Godot', Oto introduces Yusuke to Koji Takatsuki, an admirer of his work. This seemingly innocent meeting sets off a chain of emotional turbulence in Yusuke's life that will profoundly impact his and Oto's relationship.

Yusuke's life takes an unexpected twist when his flight for a new play is abruptly canceled. This event leaves him feeling unsettled and creates an unsettling void, foreshadowing the challenges he is about to face.

Upon returning home, Yusuke confronts the painful truth that Oto has been unfaithful to him. Instead of confronting her directly, he chooses isolation, creating a facade of normalcy through video calls that reflect the disconnection in their relationship.

Yusuke and Oto seek medical advice only to receive a shocking diagnosis: Yusuke is experiencing glaucoma. While medications help, this news brings the reality of their mortality into focus, and the couple grapples with the compounded grief of their daughter's loss.

In a devastating turn of events, Oto unexpectedly passes away, leaving Yusuke devastated and emotionally lost. This loss triggers a deep emotional unraveling, culminating in his cathartic performance during a production of 'Uncle Vanya'.

Two years after Oto's death, Yusuke travels to Hiroshima to direct a new version of 'Uncle Vanya'. There, he begins to work with a diverse cast of actors, marking the start of his journey toward healing through creation.

Initially hesitant about his young driver Misaki, Yusuke soon comes to appreciate her remarkable skills. Their professional relationship begins to blossom as they work together on the upcoming production, fostering a deepening connection.

As Yusuke assembles his team, he chooses a diverse cast, including Janice and Lee, to bridge communication gaps in performance. Despite the age difference, he decides to cast Koji in the role of Vanya, adding a layer of complexity to the dynamic.

During a casual drink, Koji opens up to Yusuke about Oto and the aftermath of the affair. Their discussion unveils layers of intimacy and mutual struggles, highlighting the intricate nature of human connections beyond mere physicality.

Misaki hosts Yusuke and producer Kon Yoon-Su for dinner, where they engage in meaningful discussions about the play's nuances. This dinner becomes a moment of reflection on Yusuke’s artistic journey and inspires collaborative insight.

In a moment of camaraderie, Koji and Janice arrive late to rehearsal, forcing Koji to apologize to Yusuke. This incident, though minor, serves to reinforce the cast’s commitment to their shared passion for theater.

A detour with Misaki leads Yusuke to discuss her previous experiences, including working as a garbage truck driver. This conversation opens up deep reflections about personal losses, fostering a bond based on shared vulnerabilities.

The culmination of their efforts manifests in an emotionally charged outdoor performance of 'Uncle Vanya'. The experience resonates fiercely with the audience, marking a pivotal moment of expression for Yusuke.

In the weeks following the performance, Misaki prepares to leave for Korea, driving her beloved red Saab. This new chapter in her life reflects the transformative journey she shared with Yusuke, symbolizing healing and moving forward.