Dor

In the sun‑baked lanes of Jodhpur, Shankar Singh supports a bustling household that includes his wife Meera, his mother Gowri, his grandmother Laxmibai and his father Randhir. Their lives revolve around the rhythm of a traditional haveli, where daily chores stitch together a fabric of duty and devotion. Shankar works abroad in Saudi Arabia, sending regular remittances that keep the family’s modest debts at bay and allow the household to maintain its customary rites. The steady flow of money shapes the family’s sense of security, while Meera moves through her days with the quiet grace expected of a devoted daughter‑in‑law.

High in the pine‑scented hills of Himachal Pradesh, Zeenat Fatima lives a markedly different life. An independent Muslim woman, she shares a modest home with her husband Amir Khan, whose work takes him to the same distant desert kingdom. Their routine is marked by the slow cadence of mountain living—winding roads, open skies and a close‑knit community that values personal autonomy as much as tradition. Zeenat balances her own aspirations with the cultural expectations of her family, creating a world that feels both intimate and expansive.

Both women find themselves anchored to families and cultures that press upon them with unspoken obligations, while the distance of their spouses’ overseas labor weaves an invisible thread between their disparate worlds. As the steady correspondence from abroad falters, each woman confronts a shifting landscape of financial uncertainty, social pressure and personal identity. The film settles into a contemplative tone, letting the contrasting textures of desert heat and mountain mist highlight the universal longing for stability and agency. In the space where tradition meets modernity, Meera and Zeenat stand at the cusp of choices that could reshape their futures, inviting the audience to wonder how hope and resilience might flourish amid the constraints of duty.

Last Updated: October 14, 2025 at 03:48