Death Carries a Cane

In the sun‑drenched streets of Rome, the city’s ancient façades become a playground for a keen eye. Kitty, a wandering photographer on a family holiday, spends her days scanning rooftops and alleyways through a coin‑operated binocular, hunting for the fleeting human moments that give the capital its restless pulse. The everyday rhythm of cafés, market stalls and the echo of traffic is tinged with a quiet unease, as the city’s beauty seems to conceal something just out of focus.

When Kitty catches a brief, terrifying glimpse of a murder—a figure cloaked in black, glinting with a razor—her world tilts. She rushes to share what she saw with her boyfriend, Alberto, a pragmatic young man nursing a lingering limp from a past injury. Their partnership, forged by love and a shared curiosity, is tested by the stark contrast between Alberto’s grounded practicality and Kitty’s restless intuition. Together they decide to involve the local police, only to encounter a weary inspector whose skepticism mirrors the city’s own guarded silence.

The film moves with a cool, almost documentary‑like precision, allowing Rome itself to become a character—its marble squares, narrow stairways, and bustling studios all humming with unseen tension. A mysterious, gloved presence haunts the periphery, turning everyday encounters into moments of whispered dread. The atmosphere is a delicate balance of artful observation and lurking danger, inviting the audience to linger on each detail as Kitty and Alberto navigate a world where the line between performance and predation is unsettlingly thin.

Last Updated: December 04, 2025 at 23:01