Coup de Torchon

In the sweltering heat of a remote French West African town in 1938, an uneasy calm hangs beneath the bright sky, occasionally broken by the ominous darkness of a solar eclipse. The colony feels both remote and suffocating, a place where the rhythm of daily life is dictated by colonial authority, dwindling resources, and a palpable sense of isolation. Within this stark landscape, a solitary police chief drifts through his duties, his uniform more a costume than a badge of respect.

Lucien Cordier is a man whose authority is constantly undermined; he is the only officer in a town that seems eager to ignore him. His personal world mirrors his professional humiliation: a marriage to Huguette, whose affection is openly directed elsewhere, and a community that treats him with disdain. Yet beneath the veneer of resignation, a restless yearning for redemption begins to stir, a desire to erase the weight of humiliation that has settled on his shoulders for years.

When a new French teacher named Anne arrives, her presence offers a fleeting glimpse of connection and the possibility of change. The chief’s interactions with the townspeople—including a young bride, Rose, and the indifferent colonial officials—highlight the fragile web of relationships that bind him to a place he feels trapped in. The atmosphere is thick with unspoken tension, and the oppressive heat seems to echo his simmering discontent.

The film balances a brooding, almost lyrical tone with moments of dark humor, painting a portrait of a man on the brink of a personal overhaul. As the colonial setting presses in, Cordier grapples with the notion of a clean slate, hinting at decisions that could reshape his life even as the world around him remains unchanged. The story invites viewers to wonder how far someone will go when dignity is stripped away, and whether a fresh start can truly be forged in such unforgiving ground.

Last Updated: December 04, 2025 at 16:23