The Possession of Hannah Grace

In the sterile corridors of Boston Metro Hospital’s morgue, the night shift becomes a stage for something far more unsettling than the usual scent of mortality. After an exorcism goes horrifically wrong, a lingering, malevolent presence clings to a disfigured body, whispering a promise of darkness that seeps into the very walls of the facility. The film’s tone is a relentless blend of claustrophobic dread and cold, institutional menace, where every flicker of fluorescent light could be a warning and every echo a reminder that the dead are not always at rest.

Enter Megan Reed, a newly hired mortician whose own past is shadowed by a tragic mistake on the job and the subsequent spiral into addiction. Seeking a fresh start under the guidance of her AA sponsor, Lisa, Megan’s first night on the graveyard shift is meant to be a routine test of professionalism. Instead, the oppressive atmosphere of the morgue forces her to confront the ghosts of her own conscience while the building itself seems to pulse with an unseen, hostile energy. Her competence, vulnerability, and determination become the fragile anchor that holds her—and the audience—against the growing tide of unease.

As the hours drag on, the morgue transforms into a liminal space where the boundary between living and dead blurs, and the lingering force hints at a deeper, almost mythic horror tied to the failed exorcism. The film sways between stark realism and unsettling surrealism, using the institutional setting to amplify the terror that comes not from overt monsters but from the slow, inexorable creep of an ancient, corrupted presence. In The Possession of Hannah Grace, the night becomes a crucible for a woman battling both external dread and the internal scars of her past, promising a night of harrowing suspense that lingers long after the lights flicker back on.

Last Updated: August 10, 2025 at 02:11