Breaking and Entering

In contemporary London, Will Francis lives a meticulously ordered life as a landscape architect, his days framed by sleek office spaces and the quiet cadence of the city. At home he shares a modest flat with his girlfriend Liv, a Swedish‑American whose world revolves around caring for her 14‑year‑old daughter Bea, a bright but socially withdrawn teen whose unique rhythms strain the couple’s intimacy. The trio navigates the delicate balance between routine and yearning, with Will feeling increasingly peripheral in a household that is not his own. Their attempts at relationship counselling hint at a longing for connection while the city’s perpetual hum provides a backdrop of both comfort and constraint.

Beyond the polished corridors of Will’s Kings Cross office, a series of unsettling nocturnal intrusions disturb the building’s polished veneer. Among the shadowy figures is a lithe 15‑year‑old traceur named Mirsad “Miro”, whose fluid movements suggest a world far removed from corporate design. He shares a cramped apartment with his mother Amira, a resilient seamstress whose quiet dignity masks a past scarred by conflict in the Balkans. The juxtaposition of modern architecture with the raw, acrobatic energy of the young refugee creates a subtle tension that threads through the city’s night, inviting curiosity about the lives that intersect beneath its surface.

These parallel currents draw Will into an unexpected nocturnal rhythm. While his stakeouts offer a reprieve from domestic strain, they also lead him to the enigmatic Oana, an Eastern‑European presence whose nightly wanderings echo the city’s hidden stories. As he slips further into the lives of Miro and Amira, a quiet introspection takes hold, prompting him to reevaluate the boundaries of duty, desire, and belonging. The film’s tone remains a measured blend of understated drama and lingering mystery, inviting the audience to consider how ordinary lives can intersect with the extraordinary under the glow of London’s ever‑watchful lights.

Last Updated: October 23, 2025 at 16:12