Away We Go

In the gentle bustle of contemporary America, a thirty‑something couple confronts the uncharted territory of impending parenthood. Verona De Tessant, an aspiring anatomy artist with a vivid imagination, and Burt Farlander, a practical insurance futures salesman, have built a modest life together, but the news that they are expecting their first child brings both excitement and a sudden urgency to define the world they will raise a new life in.

Their plans are jolted when Verona’s eccentric in‑laws announce an unexpected move abroad, leaving the pair feeling untethered and questioning the stability of their current surroundings. Rather than accepting the uncertainty, they decide to embark on a cross‑country road trip, treating the open road as both a literal and metaphorical search for a place that feels right for their growing family. The journey becomes a loose thread stitching together a mosaic of small‑town charm, sprawling cityscapes, and the countless intimate spaces in between.

The film’s tone balances wistful longing with quiet humor, capturing the delicate dance between hope and doubt that characterizes early adulthood. Its visual style drifts between sun‑kissed highways and the soft interiors of homes, mirroring the couple’s internal oscillation between adventure and the desire for rootedness. As they travel, Verona and Burt’s personalities play off each other—her creative sensitivity tempering his grounded pragmatism—highlighting how love can both anchor and propel two people forward.

Amid the ever‑changing backdrop of new towns, friendly faces, and fleeting moments of connection, the story invites viewers to contemplate what “home” really means when life’s biggest changes arrive. It is a tender, open‑ended meditation on belonging, responsibility, and the quiet courage it takes to map out a future when the map itself is still being drawn.

Last Updated: August 10, 2025 at 08:53