Antitrust

In the gleaming halls of a Silicon‑valley‑style powerhouse, Milo Hoffman arrives fresh from a modest startup, clutching the optimism of a new graduate and the thrill of a lucrative offer. The company, a titan of software innovation, promises not only a generous salary but also an almost limitless playground for creative ideas. Its campus hums with the low‑frequency buzz of servers and the quiet confidence of a team that believes it can reshape how the world consumes information.

The charismatic founder, Gary Winston, is the sort of visionary who commands respect with a magnetic blend of charisma and ambition. Under his watch, the firm projects an image of futuristic idealism—open offices, flexible schedules, and a culture that seems to celebrate the very spirit of invention. Yet amidst the polished presentations and sleek product demos, there’s an undercurrent of secrecy that makes even the most enthusiastic engineers pause, sensing that the bright veneer may conceal more complex motives.

As Milo settles into this high‑stakes environment, he is pulled between his own drive to create and the subtle pressures of an industry where power and innovation are tightly intertwined. The presence of his girlfriend, Alice Poulson, adds a personal dimension to his quest for belonging, while his old friends from the startup world linger in his thoughts as reminders of a different kind of freedom. The film balances the intoxicating allure of cutting‑edge technology with a growing unease, inviting viewers to wonder how far one will go when the line between ambition and ethical compromise begins to blur.

Last Updated: November 25, 2025 at 15:07