All Over Me

In the sweltering summer of 1990s New York, the streets of Hell’s Kitchen pulse with the raw energy of underground raves, noisy live gigs and a gritty camaraderie that feels both suffocating and liberating. The city’s heat amplifies the neon‑lit nights, where music and drugs mix with an undercurrent of pervasive homophobia, creating a world that is as alive with possibility as it is edged with danger. This vibrant yet hostile backdrop frames a story of youthful yearning, where every alleyway and basement club hints at both freedom and the risk of being seen.

Claude is a tomboyish teenager navigating the cramped apartment building she shares with her divorced mother. As the summer stretches out, she finds herself at the crossroads of adolescence and self‑discovery, wrestling with questions of desire, identity, and the expectations that press on her from every direction. Her restless spirit is matched by a yearning to express herself through music, a medium that feels like a lifeline amid the chaotic cityscape.

Ellen is Claude’s inseparable confidante—a charismatic, fiercely loyal friend who seems to understand the unspoken parts of Claude’s heart. Together they dream of forming a band, a shared project that promises a space to channel their emotions and escape the claustrophobic reality of their surroundings. Their bond is tested when Ellen begins a relationship with Mark, a magnetic guitarist whose presence introduces both excitement and an undercurrent of tension, hinting at the complexities of loyalty and desire.

New faces drift into their world, most notably Lucy, a pink‑haired guitarist who plays in a house band at a local gay bar. Her arrival nudges Claude toward fresh avenues of attraction and self‑reflection, suggesting that the summer’s heat may melt old boundaries and forge new connections. The film’s tone is intimate and raw, balancing tender moments with the sharper edges of adolescence, all set against the electric, unforgiving rhythm of a city that never sleeps.

Last Updated: October 27, 2025 at 16:37