Year: 1962
Runtime: 105 mins
Language: French
Director: Henri Verneuil
During World II, an innkeeper in Normandy swears off alcohol to protect his family. Years later, his peaceful life is disturbed when a charismatic advertising executive, a heavy drinker, arrives, challenging his vow and prompting a poignant confrontation between two unlikely companions.
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Albert Quentin [Jean Gabin] runs a small hotel on the Normandy coast, sharing a life of routine with his dutiful yet unimaginative wife Suzanne Quentin [Suzanne Flon]. A former marine who saw action in China, he has grown bored with the quiet cycle of days and nights and has turned to drink as a way to fill the void. In June 1944, during a harrowing Allied air raid, he finds his courage ashore in the shelter of their cellar, comforting his frightened wife and promising that if their hotel survives the bombardment, he will give up the bottle for good.
Fifteen years of sobriety follow, but the spark of excitement remains missing from their days, leaving him and Suzanne more bored than ever. On a cold winter night, a nervous young man named Gabriel Fouquet [Jean-Paul Belmondo] checks into the hotel. Gabriel heads over to Esnault’s bar, where M. Esnault [André Dalibert] keeps the drinks flowing, rings his wife who has left for Madrid, and ends up thoroughly drunk. Albert, rising from his own routine to help, brings the stranger inside, offers him a bed, and the two men begin an uneasy and uneasy‑allied bond.
Both men retreat into vivid dream worlds that stand in stark contrast to their ordinary lives. Albert relives and enlarges memories of his China days, enriching them with danger and wonder, while Gabriel imagines himself as a symbol of Spanish machismo—dancing flamenco, facing bulls, and embodying a reckless bravado he craves but rarely dares to claim.
The morning after, Gabriel buys a sweater for a ten‑year‑old girl from the eccentric shopkeeper M. Landru [Noël Roquevert], and then visits the convent where his daughter Marie Fouquet [Sylviane Margollé] is a boarding student. Too jittery to face her directly, he recoils when she is summoned. Albert and Suzanne try to offer kindness in their own ways, but Gabriel’s struggles with his drink and the chaos around him persist, pulling him into further turmoil.
One fateful night, Albert gives in to drink once more and the two men drift into a heavy, roaring intoxication. They return to Esnault’s bar, ignite a confrontation, and cajole Landru into triggering a sequence of fireworks along the beach. In a misguided bid to reclaim control, they force their way into the convent to abduct Marie, only to be met by the head nun in a wheelchair, who steadfastly refuses and declares that Marie will be released at ten the next morning. Gabriel gathers his daughter, and the pair board a Paris train, joined by a chastened Albert, who has once again renounced alcohol and plans to visit his father’s grave inland.
As they travel, Albert speaks to Marie in a way that blends memory and whimsy. He describes a strange China tale in which winter brings monkeys into towns, and the people assemble a train to carry them back to their native forests. This odd image accompanies his resolve as he steps off the journey in Lisieux, choosing to face his own long winter and the uncertain road that lies ahead.
Last Updated: October 09, 2025 at 11:10
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Stories of unlikely friendships between men haunted by regret and seeking solace.If you liked the poignant bond between the two men in A Monkey in Winter, explore more movies about unlikely male friendships. These films focus on quiet character studies where men, often grappling with midlife crises or past trauma, find a complex and bittersweet connection.
The narrative typically centers on two contrasting male characters whose paths cross, leading to a meaningful but often fleeting friendship. Their bond becomes a form of escapism from their individual struggles, culminating in a confrontation with reality that leaves both changed, usually with a sense of resigned acceptance.
Movies are grouped here for their focus on the nuanced, emotionally resonant dynamics between male characters. They share a melancholic tone, a reflective pace, and a central theme of finding temporary refuge in an unexpected companion, making the emotional journey feel coherent.
Character studies set in sleepy towns where people dream of a different life.Discover movies similar to A Monkey in Winter that capture the feeling of quiet escapism in a small town setting. These films often feature characters grappling with disappointment and dreaming of a different life, all set against a melancholic and nostalgic backdrop.
The narrative follows characters who feel trapped by the monotonous rhythm of their small-town existence. They seek escape not through physical departure, but through internal fantasies, nostalgia, or temporary partnerships that disrupt the quiet surface, leading to a poignant reckoning with their circumstances.
These films are united by their evocative small-town settings, which directly influence the melancholic and reflective mood. The pacing is deliberately slow to mirror the environment, and the central conflict revolves around characters wrestling with the gap between their dreams and their reality.
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A Monkey in Winter (1962) Scene-by-Scene Movie Timeline
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