Witch Hunt

In the glittering but shadowed streets of 1953 Los Angeles, a new kind of hysteria spreads like a whisper through the studios and backlots. Senator Larson Crockett has turned his crusade against magic into a nationwide moral panic, forcing practitioners to hide their art behind the bright lights of cinema. The era’s sleek art‑deco facades mask a simmering conflict between public virtue and the clandestine forces that have long fueled Hollywood’s most daring stories.

At the heart of this uneasy balance walks H. Philip Lovecraft, a private investigator whose weary Liverpool accent and keen eye make him a reluctant confidante to the city’s glittering elite. When celebrated star Kim Hudson enlists his help to protect a fragile reputation, he is pulled into a world where ambition, fame, and unseen enchantments intersect. Their uneasy partnership becomes a conduit for the hidden currents that swirl beneath the movie‑making machine.

Within the same maze of back‑room deals, Hypolita Kropotkin, the unassuming landlady of Lovecraft’s modest apartment, operates a discreet cabal of witches who lend “magickal polish” to scripts by summoning the ghosts of literary masters. Beside her moves Finn Macha, a warlock with a past in private investigation, whose presence hints at deeper, older alliances. Together they hint at a secret economy where spells can shape a career as surely as a contract, and where every whispered incantation could tip the scales of power.

The film unfolds as a smoky, neo‑noir tableau, blending the sleek stylings of classic Hollywood with the unsettling pulse of the occult. Its tone is both glamorous and foreboding, inviting the audience to wonder what price will be paid when ambition, politics, and ancient magic collide beneath the marquee lights. The characters tread a razor‑thin line between illusion and reality, each step echoing the larger question of how far one will go to claim a place in the spotlight.

Last Updated: November 25, 2025 at 15:15