What Time Is It Over There?

In the bustling heart of Taipei, a modest street vendor makes his living selling watches from a battered briefcase, his daily rhythm punctuated by the city’s relentless hum. Recently bereaved, Hsiao‑kang moves through his routine with a quiet heaviness, his world colored by the subtle grief that lingers in the corners of his shop and the occasional flicker of old cinema on a nearby screen. The streets pulse with strangers, neon lights, and the unspoken stories of countless passersby, creating a backdrop where loneliness can feel both intimate and overwhelming.

One day, a traveler arrives, eyes fixed on a distant horizon. Shiang‑chyi is on her way to Paris, carrying with her a mix of determination and yearning that seems at odds with the cramped alleys of the city. Their chance encounter over a simple exchange of time hints at a deeper connection, suggesting that even the briefest of meetings can reverberate far beyond the moment. The film subtly weaves their parallel searches for meaning, using the motif of clocks and watches to echo the universal desire to sync one’s inner clock with the world outside.

The tone of the story is gentle yet contemplative, balancing the melancholy of personal loss with the quiet hope that human contact can illuminate even the darkest corners of an urban landscape. The city itself becomes a character—its crowded markets, dimly lit cafés, and endless flow of passengers reflecting the inner turbulence of those who inhabit it. Through soft lighting, lingering shots of streets at dusk, and a soundtrack that whispers rather than shouts, the narrative invites viewers to pause and consider how small, unexpected bonds can offer solace amid the chaos of modern life.

Last Updated: August 10, 2025 at 11:32