Year: 1934
Runtime: 85 mins
Language: English
Director: Rouben Mamoulian
Nekhludoff, a Russian aristocrat serving as a juror, learns that the defendant, the young Katusha, is a woman he once seduced and abandoned, a fate he partly caused. Determined to atone, he battles his own conscience and the legal system, seeking redemption for both Katusha and himself.
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A sweeping drama of desire, guilt, and renewal unfolds in tsarist Russia as Russian Prince Dmitri Nekhlyudov seduces innocent Katusha Maslova, a maid in the service of his aunts. They spend the night together in the greenhouse, and when dawn comes, the prince leaves without a note—only money—leaving Katusha humiliated and hopeful, yet broken by his sudden departure.
When Katusha becomes pregnant, she is fired, and when the baby is born, it dies and is buried unbaptized. The tragedy compounds the social stigma she faces, casting a long shadow over her future and forcing her to confront a world that offers little mercy. Her fall from grace is steep and unforgiving, a stark portrait of how society treats women in precarious positions.
Katusha then travels to Moscow, where she sinks into prostitution, poverty, and degradation, her life compressed by the harshness of circumstance and a system that seems to have forgotten her name. The story exposes the vulnerability of those at the bottom of the social ladder, as she struggles to survive amid danger and exploitation, all while clinging to a shred of dignity and a desire for a better future.
Dmitri, now engaged to Missy Kortchagin, the daughter of the wealthy judge Prince Kortchagin, is summoned for jury duty in his fiancée’s father’s court, where a murder trial captivates the city. The shocking twist comes when Katusha Maslova is among the defendants, turning the courtroom into a battlefield of conscience and consequence. The jury’s initial belief in her innocence dissolves as the charges unfold.
The case hinges on a line of reasoning that places responsibility on Katusha for “giving the powder to the merchant Smerkov without intent to rob,” yet the jurors’ failure to specify “without intent to kill” seals her fate with a five-year hard labor sentence in Siberia. The verdict is a harsh reminder of how precision in law can intersect with personal prejudice, and it leaves a scar on everyone involved.
Overcome by guilt for having abandoned her years earlier, the once-cold nobleman resolves to redeem both himself and Katusha. He makes a valiant but initially futile attempt to win her release, pleading for forgiveness and proposing marriage as a pathway to freedom. When she refuses, anger tinges her judgment, and she recoils from the possibility of forgiveness that would hinge on his pledge to redeem her wound with a new life.
Katusha’s friends argue that she should seize the chance for happiness, predicting that he will return to her side. In a bold turn, Dmitri frees his serfs, renounces his engagement, and trails after her to the border of Siberia, determined to join her there and begin again. This moment marks a deliberate shift from self-preservation to self-sacrificing love, as he seeks to share the burden of exile and rebuild what was lost.
This time, he arrives with a plan and a promise: to live again together, not as master and servant but as two people who choose each other anew. On the border where prisoners are processed, he finally appears, having divided his land among his loyal servants to ensure a shared future. With forgiveness, help, and love as his aim, he hopes to walk beside Katusha once more, offering a chance for redemption and a life rebuilt from the ruins of their past.
Last Updated: October 09, 2025 at 12:30
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Characters weighed by guilt seek forgiveness through self-sacrifice and personal transformation.If you were moved by the moral struggle in We Live Again, explore more movies about atonement and redemption. These films feature characters burdened by guilt who embark on difficult journeys to seek forgiveness, often set against a backdrop of social injustice.
The narrative typically begins with a character's past transgression coming to light, triggering a deep crisis of conscience. This leads to a deliberate, often difficult journey to make amends, which serves as the central plot. The story explores themes of responsibility, sacrifice, and whether true redemption is possible after causing great harm.
These films are grouped by their shared focus on a specific character arc: the path from moral blindness to ethical awakening. They share a serious, introspective tone and place a heavy emotional weight on the protagonist's internal struggle and their external actions toward atonement.
Stories exposing rigid class systems that crush individuals and moral compromises for survival.For viewers who appreciated the social critique in We Live Again, this collection features similar movies about class injustice and personal downfall. These dramas explore how societal structures lead to tragedy, focusing on characters trapped by their circumstances.
The plot is frequently triggered by a seduction or betrayal that exposes the fragility of a character's social standing. The narrative then meticulously charts their downward spiral—often involving poverty, loss, and degradation—as a direct consequence of an unjust system. The conflict is both internal (despair, resilience) and external (fighting against societal norms).
These movies are united by their dark, critical portrayal of society and its impact on the individual. They share a steady, deliberate pacing that allows the weight of injustice to build, and a high emotional intensity derived from witnessing a character's suffering under systemic pressure.
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