Aniket, Swapnil Joshi, is trapped in a loveless, fourteen-year marriage to Avni, Anita Date-Kelkar, who battles a severe mental disorder and has warned she’ll fight any divorce in court. In a morally hollow bid to start over, he enlists his dentist girlfriend Devika, Shivani Surve, and together they hatch a daring, chilling plan: convince Avni to commit suicide and make it look like a voluntary act, so Aniket can walk away unscathed and move forward with Devika. What begins as a calculated ruse quickly spirals into a web of deceit, danger, and unforeseen consequences that threaten to consume them all.
The core scheme hinges on deception and timing. Aniket, pretending to fear for his financial stability, tells Avni that his company is bankrupt and that debt collectors are about to repossess their house. The aim is to push Avni toward a suicide pact, a notion that would absolve him of responsibility while clearing a path to a new life with Devika. In a pivotal moment, Avni’s medication and fragile state set the stage for tragedy: Aniket’s gun is intentionally left loaded only in the sense of misdirection—he plans for Avni to shoot herself, and then he would swallow a note claiming the act was a free, autonomous choice. The ruse unfolds inside Avni’s clinic, where the couple stakes their chance against an unpredictable outcome. Amid the tension, Avni’s obsession with a drastic solution deepens as a quiet, unsettling determination takes hold.
The next strands of the plot unfold with clinical precision and a chilling sense of creeping inevitability. After presenting a foreclosure notice on the door, Aniket arrives to find Avni sleeping on the floor—an effect of the antidepressants she takes. The narrative underscored by mundane details—sleeping on a clinic floor, a clinical environment, and Avni’s unusual project of raising termites for microbiology experiments—adds a disturbing texture to the plan. She speaks of ending her life that day, and in a reluctant twist, they abandon the suicide pact idea and begin drafting their notes instead, hoping to stage a tragedy that will look like a self-directed act.
A new day brings fresh complications. Aniket tries to stage a last visit to his office by filing an FIR for his allegedly missing gun, hoping to buy time while a crime branch officer accompanies the investigation. With no officer available, he slips into Devika’s clinic under the cover of a routine dental appointment, masquerading as a delivery driver to misdirect pursuit. He returns to Avni’s home to find her appearing to be inert—perhaps sleeping after her medication—before deciding to shoot her himself. In a grim, premeditated move, he plants the gun, a bottle of anti-depressants, and Avni’s note as damning evidence. The plan is meant to be airtight, but the execution reveals cracks that neither could have anticipated.
When Aniket returns home, the illusion of grief must stand up to reality. Avni’s corpse and her suicide note vanish, triggering a cascade of questions and forcing the conspirators to improvise. A mysterious call — someone claiming knowledge of their crime — sets them on edge and compels them to meet at a designated location. They eventually encounter Dr. Anshuman, Avni’s psychiatrist, who reveals a tangled web of secrets: he had an intimate relationship with Avni during her psychiatric evaluation and is now entangled in the fallout of Avni’s unseen pregnancy. Avni is pregnant with his baby, a revelation that threatens both reputation and safety. Anshuman confirms that he had moved to intervene, ultimately administering a fatal overdose of anti-depressants to Avni. He hides in a bathroom as Aniket arrives, and the truth of the night’s chaos erupts into multiple betrayals.
As the body enters rigor mortis, the trio fumbles for a way to dispose of the evidence. They drive through a landscape where danger lurks around every corner: a police presence, campers, and the vulnerability of a fragile plan. A tense sequence follows in which they inadvertently kill a woman during a roadside incident, when Aniket strikes her with a steel bottle in a struggle to avoid exposure. The police inspector, who confronts them with a gun drawn on both Anshuman and Aniket, is shot dead by Devika in a desperate act of self-preservation. The tension escalates as dawn approaches and the trio rushes to move the bodies back to Aniket’s home, hoping to fund a nighttime burial.
In a final, brutal twist, the plan collapses under the weight of fate. They store the corpses on a couch, intending to revisit a graveyard later that night. But a falling chandelier interrupts their attempt to cover their tracks, crushing all three of them. As the police begin their investigation, the haunting image remains: termites gnawing on a nylon rope, a stark and quiet symbol of inescapable decay.
This bleak, intricate chamber piece probes the fragility of trust, the costs of desperation, and the way a single decision can unravel a life. It layers procedural undertones with intimate character study, building a tense, morally ambiguous world where nothing is as it seems and every alliance carries a hidden expense. The film’s core questions linger long after the final fade, leaving the audience to ponder the consequences of deceit, guilt, and the inescapable pull of self-destruction.
