Deception 5 steps
How Amanda Fabricated and Sustained the Helena Identity
Amanda physically transforms herself into a frumpy middle-aged woman with a fat suit, dentures, wig, makeup and unflattering clothes, then layers a fabricated domestic history on top, claiming two children and ultimately supplying orphan boys from Brother Juan's church to substantiate the lie. The disguise and the validated family fiction together draw Marcelo into an imagined domestic life.
Read the 5 steps as text
- 1
Amanda transforms her appearance
Amanda / Helena
What it looked like: Colleagues at the firm see an ordinary frumpy middle-aged woman rather than Amanda.
Amanda adopts a drastic disguise, using a fat suit, unflattering clothes, buck-tooth dentures, makeup and a wig to appear as a frumpy middle-aged woman, which allows her to secure a lower-paying job at Max's architectural firm.
- 2
Amanda stages a lie about two children
Amanda / Helena · Marcelo
What it looked like: Marcelo believes Helena is a mother of two living an ordinary domestic life.
During after-work drinks with Marcelo, Amanda delivers a carefully staged lie claiming a life that includes two children and lectures him about the value of genuine love over superficial conquest.
- 3
Amanda deepens the Helena persona to build trust
Amanda / Helena · Marcelo
What it looked like: Marcelo believes he is growing close to a real woman named Helena rather than a constructed identity.
Leaning into the more complete persona of Helena, Amanda quietly builds trust with Marcelo, who grows curious about Helena's life and seeks guidance on how to sustain their fragile bond.
- 4
Orphan boys are brought in to act as her sons
Amanda / Helena · Karen · Brother Juan · Two orphan boys
What it looked like: The office sees Helena with what appear to be her two sons, validating her claimed family.
When Karen, sensing vulnerability, asks Amanda to bring her children to the office, Amanda agrees and, at Brother Juan's urging, brings two orphan boys from the church's orphanage to act as her sons.
- 5
Marcelo is drawn to the imagined domestic life
Marcelo · Two orphan boys · Amanda / Helena
The sight of Marcelo playing with the boys deepens his attraction to the domestic fiction Amanda has cultivated, and he finds himself drawn to the idea of a family life he previously mocked.
