Triangle of Sadness

In a world where glossy Instagram feeds and runway lights mask deeper insecurities, a pair of fashion‑obsessed lovers board a lavish cruise meant for the ultra‑wealthy. Their relationship, built on the fragile scaffolding of fame and beauty, is immediately contrasted with the opulent yet absurd rituals of the ship’s elite passengers, whose constant performance of status becomes both a comedy and a critique. The film’s tone balances sharp satire with a lingering sense of unease, hinting that the glittering façade may crumble under the weight of its own excess.

Carl and Yaya arrive as the most photographed couple on board, their every glance and pose engineered for clicks and comments. Around them, Paula, the meticulous head stewardess, orchestrates an endless stream of indulgent requests, while Captain Thomas steers the vessel with a weary confidence that borders on indifference. The crew, including the practical yet unassuming Nelson, move through the same gilded corridors, each aware of the unspoken hierarchy that dictates who gets served and who remains invisible. As the ocean swells, a sudden storm looms, turning the cruise’s polished pleasures into a chaotic scramble that tests the characters’ pretenses and reveals the thin line between privilege and vulnerability.

When the sea finally releases its hold, the survivors find themselves stranded on a remote island where the usual markers of wealth—designer clothes, curated meals, social media validation—lose their immediate relevance. Here, the group’s previous roles begin to blur, and the absurd power dynamics that once seemed inevitable take on a new, unpredictable shape. The arrival of Abigail, a resourceful member of the ship’s service staff, adds another layer of intrigue, suggesting that survival may depend less on past status and more on adaptability, cooperation, and the uneasy alliances that form when civilization’s veneer falls away.

Last Updated: August 09, 2025 at 21:13