Tokyo!

The film starts by introducing Hiroko and Akira, a young couple living in Tokyo. They face the challenges of the bustling city while trying to maintain their love and support for each other despite financial stress.

Hiroko and Akira are struggling with unstable living arrangements and financial limitations. To cope with their situation, they temporarily move into the cramped apartment of Hiroko's friend, Akemi, which offers them some respite.

After a while, Akemi's boyfriend becomes tired of Hiroko and Akira staying at their place. In search of a new living arrangement, Hiroko embarks on a daunting quest to find affordable housing in an increasingly unaffordable city.

Akira holds a screening for his debut film, which receives mixed reviews from the audience. A critical comment about the nature of an artist's struggle resonates with Hiroko, who begins to feel the weight of their shared creative aspirations.

In the aftermath of the film screening, Hiroko is left grappling with her feelings of invisibility and doubt about her role in Akira's life. This moment marks the beginning of her internal struggle between love and individual identity.

Hiroko wakes up one morning to discover a terrifying hole in her chest, illuminating her life with the harsh light of reality. The realization that there is a wooden pole running through the hole horrifies her and marks the beginning of an alarming transformation.

As time passes, Hiroko's transformation intensifies and she finds herself reduced to an inanimate chair. This surreal change symbolizes her feelings of worthlessness and the struggle against being overlooked in her relationship and in life.

In a desperate bid to reclaim her humanity, Hiroko chooses to sit on the street as a chair. Despite her transformation, she encounters a kind-hearted musician who recognizes her plight and offers her shelter in his home.

In her new safe space, Hiroko begins to write a farewell letter to Akira, expressing her hopes for him to pursue his filmmaking dreams without her. This letter serves as a poignant reflection of her love and the painful realization of her circumstance.

Another storyline introduces Merde, a grotesque figure who emerges from the sewers of Tokyo, instilling fear in the public with outrageous acts. This juxtaposition against Hiroko's story introduces a bizarre chaos amidst the struggles of urban life.

Merde is apprehended and faces a highly publicized trial led by Magistrate Maître Voland. The trial descends into surreal confusion, illuminating the absurdity of justice in a world marked by chaos.

Despite being sentenced to death, Merde escapes execution by retreating back into the safety of the sewer. His ability to evade capture adds to the surreal narrative of the film, showcasing the contrasts within the city's chaos.

Parallel to Hiroko's journey, Teruyuki Kagawa plays a hikikomori who has isolated himself for years. His life revolves around phone calls for delivery services, highlighting the severe impact of social withdrawal in urban society.

The hikikomori's mundane life is disrupted when a new delivery girl arrives, captivating him with her warmth. This encounter ignites a longing for connection, contrasting starkly with his otherwise solitary existence.

An earthquake strikes, forcing the hikikomori to confront his fears of the outside world when the delivery girl faints. This event propels him to finally venture outside, symbolizing the fragility of human connections and the impacts of hidden struggles.