Time of Love

In a sun‑drenched town where everyday sounds mingle with the whisper of birds, a woman named Gozal finds herself caught in the restless pulse of desire. She shares a modest home with a husband who makes his living behind the wheel of a taxi, while a young blond shoeshine boy drifts through the streets, offering quick clean‑ups and quieter confidences. Their lives intersect under the watchful ears of an old man who spends his afternoons recording the songs of birds, a habit that unintentionally turns him into a silent witness to the fragile ties that bind them.

The story unfolds in three self‑contained episodes, each revisiting the same love triangle from a slightly shifted angle. In one version the taxi driver is the husband, in another the roles are reversed, and a third offers a moment of tentative reconciliation. This structural play invites the audience to contemplate how perspective reshapes loyalty, longing, and the sense of inevitability that hangs over the characters. The recurring presence of the old man—always listening, always noting—adds a lyrical undercurrent, suggesting that even the most ordinary observations can ripple through lives in unexpected ways.

The tone balances a hushed melancholy with a subtle, almost hypnotic rhythm, echoing the cadences of the bird songs that thread through the narrative. The cinematography is intimate, lingering on close‑up glances and the worn textures of the town’s streets, while the soundscape alternates between bustling market chatter and the soft, steady hum of traffic. These elements together create a world that feels both familiar and estranged, a place where love, envy, and fate seem to circle back on themselves.

Through Gozal and the men around her, the film explores how desire can both illuminate and obscure the paths we walk, leaving viewers to wonder whether the cycle can ever truly be broken or if the town’s quiet chorus will forever echo the same refrain.

Last Updated: December 03, 2025 at 23:36