Thirst

In a quiet Korean parish, a devoted Catholic priest named Sang‑hyun spends his days offering solace to patients at a bustling hospital. When a desperate vaccine trial for the feared Emmanuel Virus opens, he volunteers, hoping his participation will bring hope to countless lives. The treatment takes an unexpected turn, leaving him marked by a miraculous recovery that quickly spreads beyond the walls of his modest community. News of his healing touch draws throngs of seekers, turning his modest sanctuary into a pilgrimage site where faith and curiosity intertwine.

Among the newcomers is Kang‑woo, an old friend who brings his family into the priest’s orbit, including his poised wife Tae‑ju. Their regular mahjong evenings become a low‑key backdrop for simmering tensions, as Sang‑hyun finds himself oddly drawn to Tae‑ju’s quiet strength. The priest’s once‑steady spiritual compass begins to wobble, hinting at desires that clash with his vows and the expectations of those around him. Meanwhile, Tae‑ju navigates a fragile marriage to a sick husband and the watchful presence of her mother‑in‑law, Mrs. Ra, whose protective instincts add another layer of complexity to the household.

As the narrative unfolds, the film bathes the characters in a mood of austere beauty, juxtaposing the stark clinical environment of the hospital with the intimate, dimly lit spaces of home. The oppressive heat of summer and the relentless glare of sunlight serve as constant reminders of the world outside the sanctuary, amplifying the characters’ internal struggles. Beneath the surface, an uneasy darkness begins to whisper, suggesting that the line between salvation and obsession may be thinner than anyone anticipated. The story lingers on the tension between duty and longing, inviting viewers to contemplate how far one will go when the promise of healing turns into a personal crucible.

Last Updated: November 25, 2025 at 14:57