In Jotunheimen, The Boy with a large birthmark covering one eye runs frantically through a blizzard, pursued by an unseen entity. The chase ends with the pursuer catching up, despite the boy’s pleas, and he is buried alive in the snow. A chilling prologue that casts a long shadow over everything that follows.
Years later, a tight-knit group of friends heads to the mountains for a snowboarding trip. Jannicke leads the charge with her boyfriend Eirik in tow, joined by their friends Mikal, Ingunn, and Morten Tobias. They seek solitude away from crowded slopes, hoping the fresh powder will provide the perfect backdrop for their weekend. The group’s camaraderie is evident as they joke and push each other to descend steeper faces, the cold wind biting at their cheeks, the mountains encircling them with a silent, watching presence.
Their plan for a quiet escape is soon complicated when Morten Tobias suffers a bad break to his leg. [Jannicke] demonstrates calm, competence, and practical resourcefulness, setting the fracture with whatever is at hand, even improvising with alcohol and a drop of superglue when traditional medical supplies are scarce. The car is too far to fetch help before nightfall, and there is no cell reception to call for rescue. They stumble upon an abandoned lodge, the kind of place that seems to hold its own secrets, and decide to bar their vulnerabilities there while they figure out their next move.
Inside, the mood shifts from relief to unease as the group discovers signs of a long-forgotten past. A box with a single shotgun shell and a bottle of glue feels incongruous against the backdrop of a deserted resort. The generator is repaired by [Eirik], restoring power, lights, and a sense of normalcy, but the quiet is haunted by distant creaks and the creaking of wood. As the night unfolds, Mikal and Ingunn slip away to explore more rooms, while Jannicke stays close to Morten Tobias, trying to patch his leg and keep him warm. A guestbook in a dusty parlor reveals that the last guests checked in decades ago, with a chilling message: "We hope you find your son," and a faded family photo bearing the birthmark over a boy’s eye, a cruel echo of the opening scene.
The lodge’s atmosphere thickens with tension as the group settles in for the night. The atmosphere is punctured when Mikal’s flirtatious bravado turns dark, and Ingunn resists his advances. A sudden, brutal intrusion follows: a shadowy shape stalks the corridors, and Ingunn is attacked in the hall, dragged away before anyone can intervene. The next morning, Eirik finds Ingunn’s body in the snow after a desperate attempt to fetch help, and is struck down by a blow from a hidden assailant wielding a pickaxe. The sense of danger becomes undeniable as the group realizes they are not alone and the lodge is no sanctuary.
With panic tightening its grip, Mikal tries to apologize in a bid to restore order, while Jannicke and Morten Tobias push forward, drawn toward the basement in search of answers and a possible means of escape. They uncover items that feel out of place in a lodge long shuttered since the 1970s, a jarring clue that someone—or something—has been here more recently than the building’s records suggest. A heavy silence settles in as they confront the reality that an intruder remains at large, a figure who stalks the halls with a single-minded ferocity.
The danger erupts into a full confrontation when the Mountain Man, a fearsome figure clad in animal skins, appears outside the shed where Mikal has hidden. The moment is brutal and intimate: Mikal is killed in the open, and the danger shifts inward as Jannicke and Morten Tobias confront the looming threat. In the confusion, Eirik is found bound but alive in a back room, a cruel reminder that survival means choosing whom to trust and when to fight. The Mountain Man’s presence intensifies as he traps the group in a tense standoff, banging on doors and forcing them to improvise desperate plans to stay alive.
Jannicke choreographs a dangerous gambit to turn the tables. She sabotages the generator to draw the Mountain Man toward the basement, grabbing a box cutter as a potential weapon. She and Morten Tobias navigate the perilous corridors, trying to outpace the intruder and free Eirik, who remains a human shield in the back room as the Mountain Man closes in. When Eirik is finally killed in a brutal display, the group’s resolve hardens into a desperate will to survive. With Mikal dead and Ingunn already taken, Jannicke and Morten Tobias improvise a way to endure the onslaught and break free, even as the Mountain Man’s silhouette looms with ominous certainty.
The chase spills onto the snowy slope, where Jannicke makes a perilous dash for safety and finds herself alone with the darkness and the bodies of friends who could not outrun the night. She shelters behind the lodge’s shed, then seizes the opportunity to reclaim a weapon and fight back as the Mountain Man corners her by a ravine. A brutal, gripping struggle erupts, and the two grapplers tumble toward the cliff edge. In a pivotal moment, the reveal comes: the Mountain Man’s identity is exposed as [The Mountain Man] was once a boy himself, his life shaped by a cruel past—the moment he is unmasked, his birthmark mirrors the earlier image of the boy from the poem of the cold dawn. Overwhelmed by the realization, the Mountain Man loses his guard, and [Jannicke] seizes the opportunity to strike with his own weapon, sending him crashing into the ravine below.
The fall of the Mountain Man is brutal and final, surrounded by the bodies of Jannicke’s friends and the bitter, silent snow. Exhausted, she collapses, the weight of the night’s violence pressing down as the mountains look on with indifferent calm. The epilogue closes on a stark note: the valley remains hushed, the lodge’s secrets buried beneath the snow, and one survivor: a body-strewn landscape that speaks to the merciless nature of the wilderness and the endurance of a lone fighter who chose to live through the night.
