The Wicker Tree

In the rolling mist of the Scottish Lowlands, two devout travelers trade the wide, sun‑baked plains of Texas for a land of stone cottages and ancient folklore. Beth Boothby, a celebrated gospel singer whose voice has carried sermons across the American heartland, and her steady‑hand partner Steve Thompson, a cowboy whose faith is as unyielding as his rodeo reins, leave behind familiar crowds to answer a call that promises souls in need. Their mission, sanctioned by a charismatic reverend, is simple on the surface: go door‑to‑door, share the gospel, and plant the seeds of salvation wherever they tread.

Their arrival in Scotland is met with an unexpected blend of suspicion and curiosity. The remote village of Tressock, perched near an ancient border and overseen by the austere Sir Lachlan Morrison, exudes a quiet dignity that hints at centuries of tradition. The villagers, initially wary of the outsiders’ bright hymns and polished pamphlets, soon find themselves drawn into a festive atmosphere that crowns the newcomers with unexpected honor. The juxtaposition of modern evangelical zeal against a backdrop of time‑worn customs creates a palpable tension, as the couple navigates the subtle dance between reverence and cultural dissonance.

The film sways between the warm glow of heartfelt music and the cool shadows of lingering myth, crafting a tone that feels both reverent and unsettling. As Beth and Steve become entangled in the village’s seasonal celebrations, they are invited to participate in rites that echo deeper, older beliefs. The promise of community and belonging is tempered by an undercurrent that suggests every act of devotion may carry a hidden price. Viewers are left to wonder how far faith can stretch when confronted with the weight of ancient sacrifice, and whether the duo’s journey will illuminate new horizons or lead them into uncharted darkness.

Last Updated: September 26, 2025 at 04:40