The Razor's Edge

Maugham openly admits that his story is not just fiction but a carefully curated reflection of real life, featuring himself as a writer who seamlessly integrates into the lives of the central characters. The plot explores the stark contrast between the laid-back life of Larry Darrell (Bill Murray) and the superficial yet generous existence of his fiancée’s uncle, Elliott Templeton (Denholm Elliott), an American living in Paris. This contrast highlights their differing views on Roman Catholicism: while Templeton clings to the formalities of the church, Larry’s spirituality aligns more closely with the beliefs of the 13th-century Flemish mystic, John of Ruysbroeck.

The narrative shifts to a somber tone as Larry returns to Chicago, where his fiancée Isabel Bradley (character B) anxiously awaits him. Struggling with the haunting memories of war and the loss of a comrade, Larry declares his refusal to take up paid work, instead preferring to waste his inheritance on a leisurely lifestyle. He turns down a job offer from Henry Maturin, the father of his friend Gray, and postpones their wedding plans. Meanwhile, Sophie (character C), Larry’s childhood friend, finds temporary joy in marriage, only for tragedy to strike when she loses both her husband and infant in a horrific car accident.

As the story unfolds, Larry relocates to Paris, succumbing to a profound existential crisis. Immersing himself in bohemian living and self-reflection, he spends two years in this state of “loafing.” When Isabel finally visits him, he invites her to join his quest for self-discovery, choosing a life of subsistence in France. Unable to accept his unconventional lifestyle, she ultimately breaks off their engagement and returns to Chicago, where she marries Gray, a wealthy man who provides her with a life of comfort. In contrast, Larry journeys across Europe, taking a job in a coal mine in Lens, France, where he forms a strong bond with Kosti, a former Polish army officer who inspires him to seek answers beyond mere scholarly pursuits.

Kosti’s encouragement leads Larry to Father Ensheim (character E), a Benedictine monk on research leave in Bonn, Germany. After spending months studying with the monks, Larry becomes disillusioned with their interpretation of God, prompting him to pursue a fulfilling meaning in life aboard an ocean liner bound for Bombay. Upon his return to Paris, Larry embodies a calmness rooted in his profound spiritual journey through India. The depth of his experiences during this time gradually reveals itself through a heartfelt and extended conversation between Maugham and Larry in a Parisian café—an exchange that Maugham suggests could be skipped without losing the story’s essence, yet he emphasizes its critical importance to understanding the narrative.

During their conversation, Maugham introduces the reader to Advaita philosophy, detailing Larry’s transformative connection with Bhagawan Ramana Maharshi, dressed as Sri Ganesha in the tale, which leads him to a state of samadhi and divine realization. This life-altering encounter fills Larry with a newfound peace, liberating him from the cyclical suffering inherent in human existence.

Meanwhile, the catastrophic 1929 stock market crash devastates Gray, compelling him to seek refuge in Paris at the behest of Isabel’s uncle, Elliott Templeton. His already fragile mental state deteriorates, plagued by painful migraines and a nervous breakdown. Larry’s Indian-inspired hypnotic techniques provide relief to Gray, while Sophie moves to Paris as well, spiraling into a life of self-destruction through alcohol and opium, trying to escape her pain. Larry’s attempts to save her lead him to an unexpected decision—marriage—further perplexing Isabel, who still carries feelings for him.

As Sophie continues her descent into darkness, Isabel’s tempting presence draws her back to despair with a drink of zubrovka, resulting in her vanishing from Paris. Maugham later encounters Sophie in Toulon, where she has succumbed again to opium and promiscuity. The story takes a tragic twist when Sophie is discovered murdered, surrounded by renowned literary works and one of Maugham’s books inscribed beside her. This grim event brings the police to Maugham, drawing him back into the web of tragedy that has enveloped their lives.

In Antibes, Elliott Templeton faces his mortality with a palpable sense of loneliness. Despite a lifetime spent cultivating relationships with the elite, none of his esteemed friends come to pay their respects as he lies on his deathbed, a stark testament to the isolation that often accompanies social ambition. Nevertheless, Elliott embraces his fate with a surprising sense of acceptance: > “I have always moved among the cream of Europe’s society, and I have no doubt that I shall continue to do so in the great beyond.”

As Isabel inherits her uncle’s wealth, she grieves for his loss. Maugham confronts her about Sophie, who he realizes Isabel indirectly contributed to her fall. Faced with overwhelming guilt, Isabel comes to terms with her punishment: a life devoid of Larry, who has chosen to leave behind the opulence she now embraces for a more humble existence in the United States. Larry’s disillusionment with the superficial world Isabel represents reflects his growth and desire for authenticity.

Maugham wraps up the narrative with a poignant observation: > “Elliott secured his place among society’s elite; Isabel assured herself a position of status…Sophie met her demise; and Larry achieved true happiness.” This bittersweet finale suggests that each character ultimately attained their desires, intricately highlighting the multifaceted nature of human existence.

Last Updated: November 17, 2024 at 20:30