The Order of Myths

Mardi Gras in Mobile, Alabama dates back to 1703, making it the birthplace of the first U.S. celebrations. This historical beginning laid the foundation for a longstanding tradition that would evolve over centuries.

The film highlights the existence of segregated societies within Mardi Gras, where both black and white communities maintain their separation. This division is not enforced but rather a choice made by the societies themselves.

The movie explores the community rituals, pomp, and camaraderie of Mardi Gras celebrations. It suggests that, despite the divisions, both communities share similar festive practices through their own respective parades and events.

As the film portrays life's segregation, it inadvertently fosters misconceptions among viewers regarding the realities of Mobile's diverse populace. The reality is more complex than the film presents.

A core principle underscored in the film is the Freedom of Assembly. It emphasizes that the decision to segregate is a right entrenched in the Constitution, allowing different racial groups to choose their membership voluntarily.

Mobile's diverse city and county government reflects the changing social dynamics, currently led by Sam Jones, a well-received black mayor. His election highlights a significant shift toward representation and inclusivity in local governance.

Sam Jones's overwhelming election victory signals a positive trend in Mobile's political landscape. The film hints that his administration is anticipated to continue thriving in future contests, showcasing the community's progressive change.

The various parades and balls are captured vividly in the film, epitomizing the harmless revelry characteristic of Mardi Gras. They serve as a vibrant expression of the cultures involved, despite the underlying tensions of segregation.

Although the portrayal of Mardi Gras focuses on celebration, it inadvertently conjures images of forced segregation reminiscent of the Old South. Such references evoke historical memories of societal divisions and discrimination.

The film’s exploration of Mardi Gras leads to a deeper reflection on public perception regarding racial dynamics. It draws attention to the community's need to confront misconceptions while celebrating their cultural heritage.

The documentary reveals the stark reality that the great-grandchildren of slaves and slave owners still live highly segregated lives, reinforcing the historical legacy of division. This connection prompts viewers to consider the ongoing implications of their past.

Despite the segregated nature of the societies, Mobile continues to host diverse celebrations during Mardi Gras. The film emphasizes the richness of these festivities, showcasing how the cultural tapestry of the city is shaped by various influences.