The House by the Cemetery

In the quiet outskirts of New Whitby, Massachusetts, an imposing Victorian mansion looms over a mist‑shrouded landscape, its stone façade hinting at long‑forgotten stories. The house, once home to a reclusive doctor whose obsessive research left a lingering unease, now waits for a new chapter as a family seeks refuge within its walls. The setting is drenched in gothic atmosphere, where creaking floorboards and the echo of distant whispers turn everyday moments into unsettling questions about what lies beneath the polished veneer of domestic life.

Norman Boyle, a methodical physician and scholar, arrives with his wife Lucy and their curious son Bob, intent on using the estate as a base for his studies of historic dwellings. Norman’s intellectual curiosity clashes with the house’s ambiguous past, creating a subtle tension between rational inquiry and the inexplicable. Lucy, drawn to the home’s eerie beauty, attempts to nurture a sense of normalcy for her children, yet the mansion’s pervasive silence constantly challenges her optimism.

Bob, an imaginative and sensitive child, begins to experience unsettling visions of a young girl who appears in the shadows of the house, urging him to stay away from something unseen. These fleeting apparitions stir a blend of wonder and dread, hinting at hidden layers of memory that the walls seem to guard. Through Bob’s eyes, the audience feels the pull of the house’s secretive heart, a place where the line between reality and the uncanny blurs.

The film unfolds as a slow‑burning study of a family confronting an environment saturated with history, mystery, and an undercurrent of menace. With each creak and sigh of the old mansion, the atmosphere grows thicker, inviting viewers to linger in the suspenseful space between curiosity and fear, and to wonder what hidden truths might rise from the dust‑laden corridors.

Last Updated: December 04, 2025 at 16:24