The Good House

In the leafy, historic towns of New England, a family whose roots stretch back to the Salem witch trials finds its present tangled with the past. Hildy Good works as a charismatic realtor, navigating the charming streets and upscale homes of a community that still whispers about its ancestors. Beneath her polished exterior lies a restless energy, fueled in part by a love of wine and an ever‑present anxiety about living up to a legacy that feels as heavy as the old oak trees lining the town square. Her family watches with a mixture of affection and concern, aware that her bright façade sometimes masks a chaotic inner life.

The film breathes a quiet, melancholic humor, blending the crisp New England autumn palette with the warm glow of cozy interiors. As Hildy flips houses and charms clients, the audience senses a deeper tension between the desire for a “good year” and the pull of long‑held insecurities. The tone is intimate and observant, inviting viewers to linger on the subtle ways tradition and personal ambition clash in a place where everyone knows each other’s histories.

Enter Frank Getchell, Hildy’s former high‑school sweetheart, whose rugged demeanor and steady success make him a striking counterpoint to her whirlwind. Their reunion feels both inevitable and unsettling, suggesting that old affection can surface in unexpected ways, offering a glimpse of redemption while also stirring dormant emotions. The chemistry between them is layered, hinting at shared memories and the possibility that the past still holds keys to future direction.

The story unfolds as a portrait of a woman perched on the edge of change, set against a backdrop of a town steeped in myth and expectation. Its mood balances tenderness with an undercurrent of restless curiosity, promising that as hidden feelings rise, Hildy may discover new facets of herself and the people she thought she understood—all while the New England landscape remains a quiet, watchful witness.

Last Updated: August 09, 2025 at 21:14