The 'Burbs

In a picture‑perfect suburb where manicured lawns and friendly waves mask a deeper sameness, Ray Peterson finally gets a chance to unwind. Fresh from a week‑long vacation, he expects the simple pleasure of lazy afternoons and neighborhood gossip, but the rhythm of the street is disrupted when a mysterious new family moves into the house next door. Their quiet, almost clinical presence unsettles the otherwise placid rhythm of the cul‑de‑sac, hinting that not everything in this cookie‑cutter community is as it seems.

Compelled by curiosity and a growing sense of unease, Ray draws in his two longtime companions. Art Weingartner is an eccentric, ever‑ready‑with‑a–one‑liner neighbor whose imagination runs as wild as his backyard projects. Mark Rumsfield, a Vietnam veteran with a dry wit and a penchant for conspiracy‑theory chatter, adds a gritty counterpoint to the trio’s dynamic. Together they form an oddball fellowship, bound by a shared love of suburban routine and an increasing suspicion that the newcomers are hiding something odd behind their polite smiles.

The tone of the film balances gentle satire with a creeping sense of paranoia. The everyday rituals of lawn care, mail runs, and block parties become a backdrop for a quietly escalating tension, where ordinary concerns—like who will take out the trash—suddenly feel charged with secret significance. The humor is dry and self‑aware, letting the audience laugh at the absurdity of over‑analyzing a quiet street while still feeling the tug of genuine dread.

As the neighbors watch the Klopek family from behind half‑opened curtains, Ray and his friends hover between playful intrigue and earnest investigation. Their amateur sleuthing sets the stage for a story that probes how far ordinary people will go to protect the familiar comforts of home, all while the suburban world around them hums with the promise of something just beyond the picket fence.

Last Updated: August 10, 2025 at 13:38