Tattoo

Kinsky is approached by the photographer Halsey to work on temporary tattoos for swimsuit models. He is reluctant at first but is won over after seeing photos of Maddy, the model who inspires his interest. The project begins to pull him deeper into Maddy's world.

Maddy arrives late, and a quick chemistry forms as she compliments Kinsky's arm tattoos and recognizes their Japanese influence. The two quickly connect, and Kinsky starts to see her as more than just a subject. The shoot ends with a sense that their connection will matter beyond the pictures.

After the shoot, Kinsky quietly eavesdrops on Maddy and her flirtatious boyfriend Buddy. He overhears the dynamic and senses potential trouble. Maddy mentions having used sleeping pills to cope with Buddy's odd hours.

Maddy invites Kinsky to dinner. At the restaurant, Kinsky exerts control by challenging the maître d and threatening Maddy's ex with implied violence. They leave, drive to her apartment, and he declines to stay the night to catch the last train home.

After the dinner, Kinsky goes to a sex show and confronts a peep show girl, underscoring his need to dominate others. The encounter hints at his troubling pattern of control in his personal life. These moments foreshadow the obsessive behavior to come.

The next day, Kinsky surprises Maddy in Central Park with flowers and confronts her about the sleeping pills. He invites her to dine with him at his apartment, signaling a potential shift from casual to more serious involvement. Maddy remains wary but curious about his attention.

They dine at Kinsky's apartment, where Maddy admires his equipment and art. He tells her she deserves better than Buddy, but she counters by calling him old fashioned. The tension rises as they flirt, then he rejects her advance, citing the need for commitment.

That night, Kinsky bombards Maddy with calls from a phone booth, berating her and testing her boundaries. She asks him to stop, but he returns to his apartment and fixates on her modeling tape, watching it alone. The obsession with control deepens.

On the day of the Japanese art exhibition, Maddy tells a friend that she is out of town and asks Kinsky to return her modeling tapes. Buddy confirms the arrangement from Maddy's apartment. He leaves an ominous message on her answering machine and then goes to show a property to prospective buyers, declaring it is not for sale.

Back in Maddy's apartment, Buddy's band is kicked out and the doorbell rings. Kinsky incapacitates Maddy with a chloroform-soaked rag, taking her hostage. She wakes to find her body being tattooed in his custody.

Over the next hours, the floral tattoos spread across Maddy's chest, shoulders, and back. She is effectively a hostage as Kinsky explains that the process is not finished yet. Her panic grows along with the expanding artwork.

Maddy makes a failed escape attempt, but ultimately agrees to wear the mark for her safety. Kinsky continues with the process, furthering the permanent ink. She is pushed toward acceptance of a doomed predicament.

Nearly finished, Kinsky stops to make Maddy masturbate while he watches from another room, and he orgasms as she weeps. She rebukes his lack of masculine reciprocity. A shard of glass from a mirror becomes a potential weapon as she contemplates retaliation.

Kinsky disrobes them both and begins to rape Maddy. In a desperate act, she seizes the tattoo gun and plunges it into his back. Kinsky dies instantly as she sits with him, her expression a mix of shock and resigned resolve.

In the aftermath, Maddy sits with Kinsky's lifeless body draped across her lap, her face a mask of resolve. The film ends on her looking outward, having claimed agency through a final act of violence.